Expanding U Teko ya Bonono ka Nouzha Evans

Moralo oa Expanding U Teko ya Bonono ka Nouzha Evans ke mohlodi oa khau e hlomphehang haholo ya 2025 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Bonono ba Dijithale.

TšepeBonono ba Dijithale· 2025

Expanding U Teko ya Bonono

ka Nouzha Evans

Moreki: Radius Art Gallery

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Bonono ba Dijithale

37,042

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #170127

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Expanding U Teko ya Bonono

Moralo ona o hapile ka botle motheo wa bokahohle bo atolosang, o fana ka pono ya lefatshe la dinaledi le sa tsebjweng le tletseng mebala a phelang le dintlha tse rarahaneng. Se etsang hore mošomo ona o kgethe ke qeto ya sebete ya moqapi wa ho tlogela thulaganyo e behilweng pele ya mafatshe a dinaledi le dinaledi. O amohela mokgwa o lokolohileng o ketekang boitlhamelo ba tlhaho ho fapana le ho latela moralo o tiileng o ka hlokang ho phemola le ho penta hape dintho. Kgetho ena e ntlafatsa moralo ka kakaretso mme ka boomo e mo nolofalletsa ho bea ntho e nngwe le e nngwe ya lehodimo ka mekgwa a sebetsang.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

Expanding U Teko ya Bonono ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. Expanding U Teko ya Bonono e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, Expanding U Teko ya Bonono e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: The Design is a unique blend of art and science, operating in a collection of keyframes stemming from a groundbreaking single experiment. This transformation from the traditional painting offers results rooted in a scientific process, research, and knowledge, encouraging further exploration and inspiring astrophysicists by merging scientific principles with artistic expression. This Design redefines the relationship between art and science by introducing a dynamic entanglement concept reflecting an expanding universe.
Boholo le Phuthelo: 12" x 12" 30 x 30 cm
Aluminum sheet – with amounts of other metals (Iron & silicon)
Colors: Three shades of Bleu
Lithegi: Model, Scale factor, Hubble flow, Redshift, Density, Energy, Art, Paint, Aluminum, Gravity
Theknoloji ya Tlhahiso: Here is a segment from the artist's communication with an astrophysicist responding to her letter:
Professor Mark... It is certainly possible to perform laboratory experiments that shed insight into astrophysical phenomena. An example is the use of laser-produced shocks to study how shocks behave in the interstellar medium. However, the dominant force in shaping the behavior of galaxies is gravity, and to my knowledge there is no simple laboratory analog for a self-gravitating system. In the laboratory, all the masses we deal we deal with are so small that their self-gravity is insignificant compared to the other forces. A system where the dominant force is electromagnetic, for example, doesn't generally have the property that every part attracts every other part, as a gravitating system does. Similarly, paint on a surface is governed by complex forces of static electricity, surface tension, etc...
Phephetso ya Moralo: Isn't unifying the four fundamental forces a dream for every astrophysicist? What sets the physics in an artist's studio apart?
• The images from the experiment resemble galaxy photos, but the underlying mechanisms differ. Our limited understanding of the physics behind the shapes and sizes means we use various colors and rely on tension, collisions, and fluid chemistry to create the observed designs.
• Each element influences the outcome, but their interplay is crucial. When the paint dries, we capture a moment of stability while keeping it active, allowing for continuous evolution.
• Both an artist's studio and a scientist's lab exist in the same universe, governed by similar forces. Both astrophysicists and artists appreciate this connection. However, the submitted model's designer lacks a scientist's tools and knowledge, leaving valuable insights locked within the model, waiting to be tested in a laboratory.
Dipatlisiso: Exploring the connection between art and astrophysics can lead to innovative solutions. Three key factors inspire this design:
1. telescope images' captivating colors and shapes significantly influence the artwork.
2. The complex challenges in astrophysics at the intersection of theoretical physics, observational astronomy, and computational science are a source of inspiration for the designer, who seeks to learn from what physicists share with the curious public.
3. breakthroughs in astrophysics often occur at the intersection of traditional and emerging fields. This design aims to bring art to the dialogue on innovative connections, such as visualizing complex data or applying astrophysical concepts creatively.
Kgothaletso: As a child in Morocco's Middle Atlas Mountains, the artist often gazed at the stars and asked: why no stars adorned the ground around her or hung in the air. Feeling excluded from the beauty of the sky, it was only after moving to California 41 years ago that she learned about our place in the Milky Way galaxy and the vastness of the universe. This understanding brought her a sense of belonging, transforming her childhood feelings of isolation into creativity and curiosity about astrophysics. Her unique perspective informs her art, as she aims to create pieces that reflect scientific insights rather than simply replicate Hubble's images. For her, scientific knowledge is a source of empowerment.
Nako ya Projeke: Location: San Rafael, California.
Duration: Testing phase: July 2010. Frieze and refrigerate the final frame: July 2010. The submitted image is one of multiple frames generated from the same art-science experiment.
Tsamaiso ya Mosebetsi: The design skillfully blends audience interaction and engagement, fostering dynamic dialogue and meaningful connections among participants. This artwork captivates the audience by integrating various art forms – visual arts and music—within a meticulously structured methodology and clearly defined frameworks. It creates thrilling opportunities for collaboration and exploration. Attendees are encouraged to participate actively, allowing for a richer, more immersive experience that invites diverse perspectives and innovative ideas.
Diphatente: Expanding U Visual artwork
Registered Copyright to Nouzha Evans
U.S. Copyright Office
101 Independence Ave. S.E.
Washington, D.C.
20559-6000
Litho tsa Sehlopha: Nouzha Evans Artist, Creative Director
Litlotla tsa Setshwantsho: Copyright:
1-14828118051
Expanding U, work of the visual arts
Upload Status: Complete