Waiting for the Wave in Metaverse Mesebetsi ya Bonono ba Dijithale ka Midori Yamazaki

Moralo oa Waiting for the Wave in Metaverse Mesebetsi ya Bonono ba Dijithale ka Midori Yamazaki ke mohlodi oa khau e hlomphehang haholo ya 2024 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Bonono ba Dijithale.

BoronseBonono ba Dijithale· 2024

Waiting for the Wave in Metaverse Mesebetsi ya Bonono ba Dijithale

ka Midori Yamazaki

Moreki: Out of Blue

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Bonono ba Dijithale

59,618

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #154231

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Waiting for the Wave in Metaverse Mesebetsi ya Bonono ba Dijithale

Mosebetsi ona wa bonono ke ponelo ya sebopeho sa nako e khutshwane sa lehu le nang le sebopeho se phethahetseng bakeng sa ho surfa se kgahlisang ka bonono mme se fa babogedi ho se utlwisisege hantle ka tsela e monate ka nako e le nngwe. E hlahisitswe ka tshepediso ya boiqapelo pakeng tsa dijithale le seo se bonahalang, e kopanya nnete le nnete ya baponahalo ka tshebedisano le EPFL. E leka ho hlahisa boiphihlelo ba tlhaho mme e tiisa matla a bonolo ba bokgoni ba kelello ya batho bo kgethang maitemohelo a bonono ka mafolofolo ho theha bokamoso bo betere. Maikutlo a boteng ba batho a tla dula a sa fetoheng ho sa feleng, esita le bokamosong moo nnete e leng tjhakabeng.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Waiting for the Wave in Metaverse Mesebetsi ya Bonono ba Dijithale ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Waiting for the Wave in Metaverse Mesebetsi ya Bonono ba Dijithale e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Waiting for the Wave in Metaverse Mesebetsi ya Bonono ba Dijithale e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: This artwork is a visualisation of the momentary shape of a wave in perfect shape for surfing, which retains its aesthetics forever, through a creative process that mixes reality and virtual reality. It attempts to generate an experience in nature and reaffirms the supple strength of human cognitive abilities that select actively beautiful experiences to create a better future, and a sense of human existence that will remain unchanged forever, even in a future where reality is in chaos.
Boholo le Phuthelo: Video: Width 1920px X Height 1080px Static image: Width 460mm X Height 305mm
Lithegi: wave, nature, science, visualization, digitalart, digitalfabrication
Theknoloji ya Tlhahiso: The artwork was created through a playful creative process, between digital and physical, 2D and 3D, mixing reality and virtual reality. The hand-drawn intuitive sketches of waves and the simulation of ‘good waves’ suitable for surfing using ocean physics were combined to create the shape using stone powder in collaboration with EPFL (Swiss Federal Institute of Technology in Lausanne). The three-views that merged the two methods were used to create the hand-formed shapes. Surprisingly the aesthetic curves from the skilled hand-drawn sketches were very close to the simulation. And the sculptures were 3D scanned, output onto transparent materials, and photographed in the actual sea to create the digital artwork.
Phephetso ya Moralo: The creative challenge in this research was to design an interaction that generates an awareness of what could reaffirm the supple strength of human cognitive abilities that actively select beautiful experiences to create a better future and a sense of human existence that will remain unchanged forever in the chaotic era. To this end, we attempted to create the artwork through a playful creative process between digital and physical, 2D and 3D, mixing reality and virtual reality.
Dipatlisiso: The research question for this artwork is what design can help to make you connected to nature in order to live better in the chaotic era of reality and intended to express the momentary shape of a wave in perfect shape for surfing, which retains its aesthetics forever. It was created by mixing reality and virtual reality in collaboration with Swiss Federal Institute of Technology in Lausanne. It generates the experience in nature and reaffirms the supple strength of human cognitive abilities.
Kgothaletso: Modern technology makes it easy to replicate visual representations that are indistinguishable from reality these days. The metaverse has become one of the spaces in which we humans exist, and the definition of existence is being distorted. However, we live in ever-changing times and continue to evolve, recognising and accepting flexibly the chaos of reality and the unreality that technology brings. The artwork attempts to express eternal existence with positive hope.
Nako ya Projeke: This artwork was launched worldwide, in May 2023. It will be open to the public for a minimum of five years. (It will be extended wherever possible).
Tsamaiso ya Mosebetsi: These are videos and static images as digital artworks.
Litlotla tsa Setshwantsho: Image #1: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #2: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #3: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #4: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #5: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.