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Fab Primary Function: Muundo wa Ndani wa Sinema na Xiang Li

Muundo Fab Primary Function: Muundo wa Ndani wa Sinema na Xiang Li ni mshindi mashuhuri wa tuzo ya kifahari ya 2021 Tuzo ya Fedha ya A' Design Award katika Kategoria ya Mashindano ya Usanifu wa Nafasi za Ndani na Maonyesho.


FedhaMambo ya Ndani· 2021

Fab Primary Function: Muundo wa Ndani wa Sinema

na Xiang Li

Mteja: X+Living

Mshindi wa Tuzo ya Fedha ya A' Design Award katika Kategoria ya Mambo ya Ndani

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Mshindi wa Tuzo Aliyethibitishwa

Thibitisha Hali ya Tuzo kwa #111752

Rangi

Muundo

Kuhusu Fab Primary Function: Muundo wa Ndani wa Sinema

Fab ni muundo wa ndani wa sinema uliopo Xi'an, China, ukichukua eneo la sakafu la mita za mraba 1150. Muundo huu unahamishia eneo la upigaji picha wa filamu kwenye ukumbi mkuu, hivyo wageni wanakuwa watazamaji katika hali halisi na washiriki wa kuwaziwa katika utengenezaji wa filamu. Samani maalum zinaunga mkono mada hii, ikijumuisha kochi la umbo la beseni la kuogea, viti vya kupumzikia vya mtindo wa mkurugenzi, na kaunta ya tikiti yenye umbo la kisanduku cha vifaa vya seti. Baa ya mapumziko na vipengele vya burudani kama vile mashine ya kucha vimeunganishwa na kumbi nne za kutazama. Mahitaji ya sauti na starehe ya viti vilizingatiwa katika mchakato mzima.

Utambuzi

Kuhusu Tuzo ya Fedha ya A' Design Award

Fab Primary Function: Muundo wa Ndani wa Sinema ni mshindi wa Tuzo ya Fedha ya A' Design Award, utambuzi wenye heshima kubwa ya ajabu unaotolewa kwa miundo ya hali ya juu kabisa, ya kupendeza na ya kuvutia. Washindi wa Fedha ni kazi zinazong'aa mno na bunifu kupita kiasi zinazoonyesha utaalamu bora, kipaji na busara ya wabunifu wao. Fab Primary Function: Muundo wa Ndani wa Sinema inatarajiwa kuwa kazi nzuri ya kuigwa ambayo ni ya kitaalamu kwa kiasi kikubwa na yenye ubunifu wa kina. Muundo huu ulioshinda Tuzo ya Fedha ya A' Design Award ni uvumbuzi unaojulikana sana na kupendwa, unaonufaisha na kupanua mipaka ya sanaa, sayansi, usanifu na teknolojia. Fab Primary Function: Muundo wa Ndani wa Sinema ni kazi inayotamaniwa mno inayochochea hamu, huleta hisia chanya na huzua mshangao na mastaajabu.

Nyuma ya Muundo

Vifaa vya Habari

Mikopo, wanachama wa timu na maelezo ya kiufundi yaliyotolewa na mbuni.

Sifa za Kipekee
The design of the theater is different from traditional theaters. The project is not only rendering the film sense with different forms, but also giving the audiences dual identities, both an audience in the reality and a participant of the movie-shooting in the imagination. They are connected and laid down to enter the film world step by step. And instead of waiting boringly, they will enter an active participation sparticipation state through the mobilization of the atmosphere.
Vipimo na Ufungashaji
The floor area of this project is 1150 sqm.
Lebo
Li Xiang, retail, cinema, interior design, xliving, China
Teknolojia ya Uzalishaji
Through some interesting customized furniture, we have taken the theme of the entire space to the extreme. Bathtub sofa, director's rest seat, as well as the ticket counter that imitates the set box, etc, all satisfy the function while cooperating with the creation of the theme, allowing consumers to experience the charm of the movie in an immersive atmosphere.
Changamoto ya Ubunifu
The biggest challenge is how to break the trditional pattern. It is easily to be misunderstood that the design ignores functions while completing the aesthetics, but in fact, all the specific requirements of the acoustics environment and the comfort of the audience are all under our consideration at the beginning. We believe that the cinema should undergo a transformation of spatial attributes. It should meet the increasingly vigorous social needs of young people. Simply relying on the sale of movie tickets cannot allow it to maximize the value of a commercial space. So we broke through this situation and completed this design.
Utafiti
Traditional theaters pay more attention on panoramic sound effects and the viewing experience on the screen while they lack creativity. The single business model of selling tickets and snacks, it weakens the experience and expectations that the venue can give the audienceThrough the design of this project, we have found a possibility that may be able to answer the problem of the future development of the theater.
Msukumo
The inspiration for the project comes from the movie itself. We moved the shooting scene of film production to the main hall of the theater. We hope that the audience will be immediately impressed by the dramatic scene the moment they enter the theater. At the same time, through the integration of different entertainment facilities, the interaction between the audience and the cinema is not limited to watching the movie itself, which increases the possiblity of their consumption.
Muda wa Mradi
The project finished in January 2020 in Xi'an, China.
Mtiririko wa Uendeshaji
According to the original plane, we can only build four relatively square video halls. Since this space pattern is difficult to provide rich viewing, instead of focusing on decoration, we integrated the space with other formats with similar entertainment attributes to build an avant-garde new cinema space. We moved the lounge bar into the theater space. It is not only an independently operable space, but also symbiotic and mutually beneficial with the cinema. The experiential claw machine and other entertainments also stimulates consumers to extend their stay in the theater, maximizes the value of the space.
Wanatimu
Lead Designer: Li Xiang
Project Director: Ren Lijiao
Project Director: Wu Feng
Haki za Picha
Image#1: Photographer Shao Feng, FAB Cinema, 2019.
Image#2: Photographer Shao Feng, FAB Cinema, 2019.
Image#3: Photographer Shao Feng, FAB Cinema, 2019.
Image#4: Photographer Shao Feng, FAB Cinema, 2019.
Image#5: Photographer Shao Feng, FAB Cinema, 2019.

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