Changes Cycles and Shapes Sanaa ya Dijitali na Yuko Suzuki

Muundo Changes Cycles and Shapes Sanaa ya Dijitali na Yuko Suzuki ni mshindi mashuhuri wa tuzo ya kifahari ya 2025 Tuzo ya Dhahabu ya A' Design Award katika Kategoria ya Mashindano ya Usanifu wa Uzalishaji, Algorithimu, Parametriki na Msaada wa AI.

DhahabuUsanifu wa Uzalishaji· 2025

Changes Cycles and Shapes Sanaa ya Dijitali

na Yuko Suzuki

Mteja: Feral File

Mshindi wa Tuzo ya Dhahabu ya A' Design Award katika Kategoria ya Usanifu wa Uzalishaji

210,079

Mshindi wa Tuzo Aliyethibitishwa

Thibitisha Hali ya Tuzo kwa #170864

Tembelea Tovuti Tazama kwenye A' Design Award Taarifa kwa Vyombo vya Habari Beji ya Tuzo

Rangi

Muundo

Kuhusu Changes Cycles and Shapes Sanaa ya Dijitali

Kazi hii inachunguza swali, Uchoraji ni nini? kwa kuonyesha mzunguko wa maonyesho ya kimaoni. Ikichochewa na mabadiliko katika michoro ya Mondrian, inategemea ramani ya vijenzi vya uchoraji, ambapo umbo linasogea kati ya taswira na dhana, na kati ya kelele na umstari - wazo linalotumika kwa rangi. Kazi hii inachochea hali inayobadilika ya ulimbikano wa kidijitali, ikisisitiza kwamba maumbo yaliyopo kati ya mabadiliko ndiyo kiini. Kwa kujumuisha mandhari yaliyochapishwa kwa baren, inaakisi utambulisho wa msanii kama mchoraji wa chapa katika muundo wa kidijitali.

Utambuzi

Kuhusu Tuzo ya Dhahabu ya A' Design Award

Changes Cycles and Shapes Sanaa ya Dijitali ni mshindi wa Tuzo ya Dhahabu ya A' Design Award, utambuzi wenye heshima kuu unaotolewa kwa miundo ya daraja la kwanza, ya ajabu na ya kuvutia. Washindi wa Dhahabu ni kazi bunifu mno, zenye maono makubwa na za kung'aa kwa umaridadi zinazoakisi kipaji, hekima na ustadi wa wabunifu wao. Changes Cycles and Shapes Sanaa ya Dijitali inatarajiwa kuwa uvumbuzi unaosifiwa sana, wa kuweka mielekeo na wa kihistoria unaoleta thamani isiyo na kifani. Muundo huu ulioshinda Tuzo ya Dhahabu ya A' Design Award ni mradi wa kustaajabisha na unaoheshimika unaonufaisha sana na kupanua mipaka ya sanaa, sayansi, usanifu na teknolojia. Changes Cycles and Shapes Sanaa ya Dijitali huzua hisia kali za hamu, huamsha shauku, huhimiza ubunifu na hutuvutia.

Nyuma ya Muundo

Vifaa vya Habari

Mikopo, wanachama wa timu na maelezo ya kiufundi yaliyotolewa na mbuni.

Sifa za Kipekee: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Vipimo na Ufungashaji: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Lebo: Generative Art, Coding
Teknolojia ya Uzalishaji: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Changamoto ya Ubunifu: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Utafiti: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Msukumo: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Muda wa Mradi: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Mtiririko wa Uendeshaji: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Haki za Picha: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.