Ruka hadi maudhui
Ramesh Kiti cha Mkono na Sepideh Bayat and Mohammadali Nemati

Muundo Ramesh Kiti cha Mkono na Sepideh Bayat and Mohammadali Nemati ni mshindi mashuhuri wa tuzo ya kifahari ya 2025 Tuzo ya Shaba ya A' Design Award katika Kategoria ya Mashindano ya Usanifu wa Samani.


ShabaSamani· 2025

Ramesh Kiti cha Mkono

na Sepideh Bayat and Mohammadali Nemati

Mteja: Sepideh Design Studio

Mshindi wa Tuzo ya Shaba ya A' Design Award katika Kategoria ya Samani

15,066

Mshindi wa Tuzo Aliyethibitishwa

Thibitisha Hali ya Tuzo kwa #172806

Rangi

Muundo

Kuhusu Ramesh Kiti cha Mkono

Ramesh ni kiti cha mkono kilichoongozwa na msimamo thabiti wa swala. Kiti hiki kimeundwa na vipengele viwili vikuu. Muundo wa nyuma unaanzia kwenye miguu ya nyuma hadi kwenye sehemu za kuegemeza mikono na mgongo, ukiunda upinde unaoendelea bila kukatika. Muundo wa mbele hutoa uthabiti na umeunganishwa kwa viungo vya mbao vya silinda na viunganishi vya rivet vilivyoimarishwa. Sehemu za kuegemeza mikono zenye umbo la kikombe na mgongo wenye maumbo na sehemu mbalimbali huchangia starehe ya kiergonomia. Fremu imetengenezwa kwa mbao ngumu, iliyoumbwa kwa mashine za kusaga zinazodhibitiwa na kompyuta kisha ikakamilishwa kwa mikono, huku upholsteri ukiwa wa ngozi.

Utambuzi

Kuhusu Tuzo ya Shaba ya A' Design Award

Ramesh Kiti cha Mkono ni mshindi wa Tuzo ya Shaba ya A' Design Award, utambuzi wenye heshima kubwa unaotolewa kwa miundo bora inayotofautishwa kwa ubunifu, ustadi na busara. Washindi wa Shaba ni kazi za ufundi mwingi na bunifu ya kushangaza zinazothibitisha uzoefu mpana, mawazo na ustadi wa wabunifu wao. Ramesh Kiti cha Mkono inatarajiwa kuwa kitu kinachothaminiwa sana, kupendwa na kuenziwa, ambacho ni cha kitaalamu na bunifu kwa kiasi kikubwa. Muundo huu ulioshinda Tuzo ya Shaba ya A' Design Award unajumuisha mbinu bora katika sanaa, sayansi, usanifu na teknolojia, na ni bora kwa umakini wake kwa undani. Ramesh Kiti cha Mkono hutosheleza mahitaji kwa uzuri, hugusa hamu, huvutia hisia na kuvutia udadisi.

Nyuma ya Muundo

Vifaa vya Habari

Mikopo, wanachama wa timu na maelezo ya kiufundi yaliyotolewa na mbuni.

Sifa za Kipekee
The form mirrors the poised stillness of a gazelle,capturing both its muscular endurance and its gentle,fluid movement.The chair is composed of two main elements:The rear structure,which extends from the back legs to the armrests and backrest, forming a continuous arc.The front structure ensures stability,joined by wooden-metal joints and durable connectors for seamless cohesion.The cup-like armrests invite relaxation,while the contoured,segmented backrest ensures ergonomic comfort and visuall.
Vipimo na Ufungashaji
Height: 780mm Width: 620mm Depth: 680mm
Material: Hardwood frame, premium leather upholstery
Joinery: Cylindrical wood joints with reinforced rivet connectors
Lebo
contemporary furniture, wood and leather chair, ergonomic design, architectural furniture, exclusive design, Sculptural chair, luxury seating
Teknolojia ya Uzalishaji
Its bold structure conveys a sense of gravity and presence, while its finely sculpted lines soften this assertion, revealing an underlying elegance. The form mirrors the poised stillness of a gazelle, capturing both its muscular endurance and its gentle, fluid movement. The chair is composed of two main elements. The realization of Ramesh required a fusion of advanced digital modeling, traditional woodworking, and precision upholstery craftsmanship. The frame should be constructed from high-quality hardwood, shape with CNC precision and refine by hand to maintain the organic flow of its contours. The leather elements are meticulously selected and should stitch to ensure longevity and luxurious comfort. The connection points are engineered for both visual harmony and durability, seamlessly integrating into the form without disrupting its purity.
Changamoto ya Ubunifu
One of the greatest challenges in crafting Ramesh was achieving a structure that maintains its bold, heavy presence while expressing a sense of refined lightness. The seamless transition between the backrest, armrests, and rear legs required meticulous engineering, ensuring that the material thickness and curvature would support weight without compromising visual elegance. The integration of organic, sculptural form with strict ergonomic function demanded a balance between traditional craftsmanship and digital precision. Another challenge lay in ensuring that the chair's two main structural components, the front and rear sections, could be assembled in a way that maintains the illusion of continuity while also allowing for stability and flexibility in production. Through extensive prototyping, the final design achieves a sublime balance of form, function, and artistry.
Utafiti
The conceptual foundation of Ramesh was built upon the study of biomorphic forms, architectural movement, and high-end craftsmanship. Extensive research into animal biomechanics, particularly the motion and stance of gazelles, informed the chair's overall posture. Additionally, explorations into luxury automotive design, notably the aerodynamic curves of a 1990 Porsche's rear wheel arches, inspired the seamless flow of the chair's form. Materials research emphasized sustainability and longevity, ensuring that the wood and leather used in the chair not only enhance its aesthetic value but also align with ethical craftsmanship. The chair was developed with an understanding of how balance and elegance can coexist in furniture, borrowing principles from both classical and modernist design philosophies.
Msukumo
Inspired by the poised elegance and dynamic stillness of a gazelle, Ramesh is a statement of power, movement, and balance. The design captures the tension between fluidity and solidity, translating the graceful arcs of a gazelle's hind legs into a chair that embodies strength and sophistication. The chair's dual-component structure symbolizes the harmony of opposites, bold yet refined, structured yet flowing, assertive yet inviting. Wood flows into leather, blending nature, craft, and luxury.
Muda wa Mradi
The project was conceived in Philadelphia, USA and Tabriz, IRAN simultaneously, and developed over an extensive design phase, ensuring precision in materiality, craftsmanship, and ergonomic refinement for constructing phase.
Mtiririko wa Uendeshaji
Designed for contemplation and comfort, Ramesh invites the user into a refined experience of sitting. The carefully sculpted seat cradles the body, while the upward-sweeping backrest subtly encourages proper posture. The arc-like transitions of the frame create a dynamic engagement between user and object, making the act of sitting feel intentional and elevated. The leather components add an element of tactile luxury, allowing the user to fully immerse themselves in the experience of the chair's Timeless form.
Wanatimu
Designer: Sepideh Bayat
Designer: Mohammadali Nemati
Haki za Picha
Image #1: Illustrator Ehsan Razavi, Ramesh, 2025.
Image #2: Illustrator Ehsan Razavi, Ramesh, 2025.
Image #3: Illustrator Ehsan Razavi, Ramesh, 2025.
Image #4: Illustrator Ehsan Razavi, Ramesh, 2025.
Image #5: Illustrator Ehsan Razavi, Ramesh, 2025.
Image #5: Illustrator Ehsan Razavi, Ramesh, 2025.

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