Forest Archetype Kazi ya Msingi: Nyumba na Genta Takano

Muundo Forest Archetype Kazi ya Msingi: Nyumba na Genta Takano ni mshindi mashuhuri wa tuzo ya kifahari ya 2026 Tuzo ya Shaba ya A' Design Award katika Kategoria ya Mashindano ya Usanifu wa Majengo, Ujenzi na Miundo.

ShabaUsanifu wa Majengo· 2026

Forest Archetype Kazi ya Msingi: Nyumba

na Genta Takano

Mteja: Gla

Mshindi wa Tuzo ya Shaba ya A' Design Award katika Kategoria ya Usanifu wa Majengo

8,183

Mshindi wa Tuzo Aliyethibitishwa

Thibitisha Hali ya Tuzo kwa #174638

Tembelea Tovuti Tazama kwenye A' Design Award Taarifa kwa Vyombo vya Habari Beji ya Tuzo

Rangi

Muundo

Kuhusu Forest Archetype Kazi ya Msingi: Nyumba

Maandishi ya Kitabu: Forest Archetype ni mradi wa makazi unaobadilisha mpangilio wa nafasi ya msitu kuwa umbo la usanifu lililoshikamana. Muundo umepangwa kupitia mfumo wa kimuundo wenye tabaka badala ya migawanyo ya kawaida ya vyumba. Vipengele vya kimuundo vya wima vinabainisha mwendo na shughuli huku vikidumisha mwendelezo wa kuonekana katika sehemu za ndani. Mpangilio huu wa tabaka unaunda nafasi wazi na nafasi za nusu-nje zinazounga mkono matumizi ya kila siku yenye unyumbufu. Kupitia mantiki wazi ya kimuundo na mpangilio wa nafasi, nyumba inafikia utajiri na uwazi huku ikibaki na ukubwa uliodhibitiwa.

Utambuzi

Kuhusu Tuzo ya Shaba ya A' Design Award

Forest Archetype Kazi ya Msingi: Nyumba ni mshindi wa Tuzo ya Shaba ya A' Design Award, utambuzi wenye heshima kubwa unaotolewa kwa miundo bora inayotofautishwa kwa ubunifu, ustadi na busara. Washindi wa Shaba ni kazi za ufundi mwingi na bunifu ya kushangaza zinazothibitisha uzoefu mpana, mawazo na ustadi wa wabunifu wao. Forest Archetype Kazi ya Msingi: Nyumba inatarajiwa kuwa kitu kinachothaminiwa sana, kupendwa na kuenziwa, ambacho ni cha kitaalamu na bunifu kwa kiasi kikubwa. Muundo huu ulioshinda Tuzo ya Shaba ya A' Design Award unajumuisha mbinu bora katika sanaa, sayansi, usanifu na teknolojia, na ni bora kwa umakini wake kwa undani. Forest Archetype Kazi ya Msingi: Nyumba hutosheleza mahitaji kwa uzuri, hugusa hamu, huvutia hisia na kuvutia udadisi.

Nyuma ya Muundo

Vifaa vya Habari

Mikopo, wanachama wa timu na maelezo ya kiufundi yaliyotolewa na mbuni.

Sifa za Kipekee: This project is a residential building that reinterprets the spatial structure of a forest within a compact domestic setting.
Instead of relying on conventional room divisions, the house is organized through a layered structural system that integrates architecture and built in furniture.
Large, trunk like elements form the spatial backbone of the house, enabling diverse activities and visual connections.
By combining structural clarity with spatial flexibility, the design achieves richness and openness while remaining restrained in scale.
Vipimo na Ufungashaji: Number of floors: 2 above ground
Eaves height: 5885mm
Maximum height: 6386mm
Site area: 1293.00m2
Building area: 85.11m2
(Building coverage ratio: 6.58%, allowable: 60%)
Total floor area: 124.14m2
(Floor area ratio: 9.60%, allowable: 200%)
First floor area: 72.16m2 Second floor area: 51.98m2
Construction type: Timber structure
Lebo: house, architecture, forest, spatial structure, timber
Teknolojia ya Uzalishaji: The ceiling above the central void was finished with a low gloss metallic surface to control light reflection and enhance spatial depth.
This surface subtly reflects changes in daylight and surrounding vegetation throughout the seasons, contributing to environmental continuity without direct visual imitation.
Large suspended panels beneath the ceiling were designed as abstracted elements derived from surrounding trees, using simplified geometry and controlled spacing.
These elements modulate light, views, and scale, creating differentiated spatial conditions through material treatment rather than enclosure.
Changamoto ya Ubunifu: The primary challenge was balancing continuity with the forest while maintaining architectural clarity and structural stability.
From a creative perspective, the project required reconciling Japanese spatial traditions, such as the fragmentation of small rooms, with contemporary residential needs.
From a technical standpoint, ensuring sufficient structural performance in a timber building led to the adoption of a reinforced frame using aramid fiber sheets to address lateral forces.
Material selection was also critical, as silver steel surfaces were carefully introduced to reflect seasonal light without overwhelming the interior.
These challenges required close coordination between design intent, structural constraints, and construction feasibility.
Utafiti: This project is based on design research exploring residential architecture adjacent to natural forests.
The objective was to understand how built space can coexist with a forest while maintaining continuity rather than separation.
The methodology involved on-site observation, spatial analysis, and iterative design testing.
Tools included site walks, sketches, physical models, and full-scale spatial studies.
The primary participants were the architect and the future occupants.
The result was a four layered spatial system that aligns architectural elements with the scale of trees.
This research demonstrates how architectural structure can enhance daily comfort and foster a closer relationship between living space and surrounding nature.
Msukumo: This project was inspired by repeated observations of a forest adjacent to the site.
Through walking and spending time within this environment, I became aware of its spatial order, formed by the vertical presence of trees and their layered relationships.

Rather than imitating the forest as a natural form, the design seeks to abstract its vitality into a clear architectural system.
This led to the development of large, trunk like structural elements arranged in layered compositions, responding to the trees along the cliff and translating their spatial logic into architecture.
Muda wa Mradi: The project was completed in 2017 in Sapporo, Hokkaido, Japan.
Mtiririko wa Uendeshaji: The house is experienced through movement rather than fixed rooms.
As occupants walk through the interior, the layered walls gradually align with the scale and rhythm of the surrounding trees.
This creates a continuous flow between inside and outside, where built elements and natural scenery visually overlap.

Living within the house involves moving through changing degrees of openness, light, and enclosure.
This interaction allows daily activities to unfold naturally, producing a calm and immersive environment that feels connected to the adjacent forest rather than separated from it.
Haki za Picha: GLA