Shany Dvora tarapyndan döredilen Shany Abdallah Naji Grafiki Sungat Toplumy dizaýny Grafika, Illýustrasiýa we Wizual Aragatnaşyk Dizaýny Bäsleşik Kategoriýasynda 2021 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.
KümüşGrafika· 2021
Shany Abdallah Naji Grafiki Sungat Toplumy
dizaýner: Shany Dvora
Grafika Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi
Tassyklanan Baýrak Ýeňijisi
#121320 üçin Baýrak Ýagdaýyny BarlaňDizaýn
Shany Abdallah Naji Grafiki Sungat Toplumy hakynda
Shany Abdallah Naji – maşgala at goýmak däbini gaýtadan janlandyrýan grafiki eserler toplumydyr. Maşgalanyň Yrakdan Ysraýyla göçmegi bilen tamamlanan bu däp, täze doglan çaga ilki öz adyny, soňra kakasynyň we atasynyň atlaryny berýär eken. Toplum köne maşgala göçüş resminamalary tapylandan soň döredildi. Dört sanysy 50-ä 70 santimetr, biri bolsa 75-e 70 santimetr ölçegindäki bäş sany garyşyk media eseri, 12-nji we 15-nji asyrlaryň aralygynda Yrakda, Ýemende we Marokkoda ýasalan ýewreý golýazmalaryndan ylham alnan ýewreý hatdatlygyna şekilleri örýär.
Ykrar etme
A' Design Award Kümüş Baýragy hakynda
Shany Abdallah Naji Grafiki Sungat Toplumy A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Shany Abdallah Naji Grafiki Sungat Toplumy ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Shany Abdallah Naji Grafiki Sungat Toplumy köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.
Dizaýnyň sahna arkasy
Metbugat toplumy
Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.
- Üýtgeşik Aýratynlyklar
- Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry - Ölçegler we Gaplama
- 4 works 50*70 cm
1 work 75*70 cm - Bellikler
- Calligraphy, Typography, Hebrew, Eastern
- Önümçilik Tehnologiýasy
- Mixed Media
- Dizaýn Kynçylygy
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- Gözleg
- For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.
This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.
Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco - Ylham
- In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
- Taslama Dowamlylygy
- 2018-2019, Israel
- Iş Akymy
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- Patentler
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- Topar Agzalary
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- Surat Awtorlary
- Shany Dvora
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