Kiyoka Yamazuki tarapyndan Bon Vivant Maglumat Žurnaly

Kiyoka Yamazuki tarapyndan döredilen Bon Vivant Maglumat Žurnaly dizaýny Grafika, Illýustrasiýa we Wizual Aragatnaşyk Dizaýny Bäsleşik Kategoriýasynda 2025 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşGrafika· 2025

Bon Vivant Maglumat Žurnaly

dizaýner: Kiyoka Yamazuki

Müşderi: Bon Vivant / Credit union

Grafika Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

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Reňkler

Dizaýn

Bon Vivant Maglumat Žurnaly hakynda

Bu maglumat žurnaly tutuş ýurt boýunça Şinkin banklary tarapyndan paýlanýar, şonuň üçin müşderiler ony aňsatlyk bilen alyp bilerler. Onuň maksady Şinkin banklarynyň, olaryň müşderileriniň we ýerli jemgyýetiň arasynda aragatnaşyk guraly hökmünde her sebitiň özüne çekijiligi we aýratynlyklaryny wagyz etmek we adamlary sebit bilen baglanyşdyrmakdyr. Ol ony almaga höwes döredýän gep suratyny döretdi. Bu janly reňkler bilen ýatda galyjy el bilen çekilen illýustrasiýadyr. Okyjylar žurnalyň pasyllara we olaryň dogduk ýerlerine bolan nostalgiki ýatlamalary gaýtaryp getirýändigini belläp geçdiler.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

Bon Vivant Maglumat Žurnaly A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Bon Vivant Maglumat Žurnaly ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Bon Vivant Maglumat Žurnaly köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: This magazine is available at credit unions across Japan and is available for customers to pick up at their convenience. She created it with warm, hand-drawn illustrations and eye-catching colors to make it easy for customers to pick up and take home.
Ölçegler we Gaplama: Used for the cover illustration of the magazine.
Magazine size: 21cm x 15cm, 1mm thick (B5 size), about 15 pages
Published bimonthly, this year's theme is "World Heritage Sites and Festivals."
The illustrations are mostly hand-drawn, but sometimes Photoshop is used.
Bellikler: #142430 Graphic, Illustration and Visual Communication Design Category Silver Award / Kumano Kodo
Önümçilik Tehnologiýasy: My works are mainly hand-drawn illustrations using brushes, acrylic paints, illustration boards, compasses, rulers, ruling pens, etc., and some are retouched in Photoshop.
Dizaýn Kynçylygy: She didn't know how the magazine actually got from store shelves to customers' hands. However, the magazine did receive feedback from readers. One such comment, "Looking at the illustration on the cover, I felt nostalgia and a sense of the season, and it reminded me of home," made her happy.She didn't quantify the actual effect, so she doesn't know, but it seems that this activity was effective.
Gözleg: This magazine is a pamphlet distributed free of charge by Shinkin banks nationwide. How do customers get it? We think it is important for customers to get to know the local people and towns. She created eye-catching illustrations that convey the warmth and nostalgia of the town. As a result, people visit the area (by buying local products, etc.) and learn about its good points. I think this has connected people and towns.
Ylham: This project was created as an information tool that can be placed in the storefronts of Shinkin banks nationwide and can be freely taken home. It is also an information magazine based on the concept of "shinkumi," which energizes people and cities. The theme of the issue for which she was asked to illustrate was Hiroshima Summer. She created an illustration based on the theme of the Itsukushima Shrine Orchestra Festival, which energizes people and cities.
Taslama Dowamlylygy: She was commissioned to do this project by a planning and production company (BOON Corporation + Shinkumi Sogo Service Corporation). She produced six books per year for each month over five years (30 books) from January 2011 to April 2018. The project was supervised by the National Federation of Shinkin Banks.
Iş Akymy: Installed at Shinkin Bank branches/
Distributed free of charge/Information and gifts
This information magazine introduces people, industries, local products, and tourist spots working hard in each region of Japan, helping to steadily connect people and cities.
Surat Awtorlary: Main image is Image #1 Illustrator Kiyoka Yamazuki 2015
Optional image #1 Illustrator Kiyoka Yamazuki 2015
Optional image #2 Illustrator Kiyoka Yamazuki 2014
Optional image #3 Illustrator Kiyoka Yamazuki 2014
Optional image #4 Illustrator Kiyoka Yamazuki 2015