Nathanna Érica tarapyndan It's a Tiny Little World Çagalar Suraty

Nathanna Érica tarapyndan döredilen It's a Tiny Little World Çagalar Suraty dizaýny Grafika, Illýustrasiýa we Wizual Aragatnaşyk Dizaýny Bäsleşik Kategoriýasynda 2019 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçGrafika· 2019

It's a Tiny Little World Çagalar Suraty

dizaýner: Nathanna Érica

Müşderi: Nathanna Érica

Grafika Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

#75095 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

It's a Tiny Little World Çagalar Suraty hakynda

Bu dizaýnlaryň ýasalmagynyň esasy ylhamy bolup hyzmat eden zatlaryň biri, dünýäniň dürli medeniýetlerinde duş gelýän nagyşlaryň, dokumalaryň we reňkleriň dürlüligi, şeýle hem bu ýurtlarda köplenç duş gelýän ýabany tebigatdyr. Bu, hudo .nige has köp ýurt goşup, geljekki ýyllarda ony giňeltmäge mümkinçilik berjek taslama. Bu taslama çagalara medeni düşünjäni öwretmegiň ähmiýetine ünsi jemleýär. Bu halklara we olaryň däp-dessurlaryna hormat goýmak maksadyna ýetmek üçin janly reňkleri we dürli şekilleri we nagyşlary ulanmak möhümdi.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

It's a Tiny Little World Çagalar Suraty A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. It's a Tiny Little World Çagalar Suraty uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. It's a Tiny Little World Çagalar Suraty zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: This set of illustrations was made using a mixture of paper-cutting techniques and some final touches of digital media, which makes it distinctive from other illustrations. The paper pieces were hand-painted with gouache and the use of vibrant colors and different shapes were essential to achieving the goal of paying homage to these cultures and their traditions. The use of mixed media, especially paper, gives the illustration a sense of it being 3D, because of the shadows created by the many layers with which the artwork is made.
Ölçegler we Gaplama: The original artwork measures about 1180 mm X 250 mm.
Bellikler: World Culture, Kids Illustration, Cartoon, Cartooning, Paper Art
Önümçilik Tehnologiýasy: This illustration was made with paper-cutting techniques and hand-painted with gouache. They were cut with nothing more than a pair of scissors. It's made of different kinds and brands of paper. It started with reference research before the initial sketches. The second part was sketching some ideas and then copying the graphite sketch to the papers used for the creation of the artwork. After that, it is necessary to put the pieces together, like a puzzle, in order to create the 3D effect of these illustrations. Once the art is finished, it is ready to be photographed and printed.
Dizaýn Kynçylygy: The main creative challenge encountered during the creation of these illustrations was the need to be respectful to the nations depicted and to accurately represent their traditions, their symbols and patterns without making them look stereotypical.
Gözleg: The type of research was descriptive and it focused on the many different kinds of patterns found in Latin, African and Oriental cultures and the particularly intricate craftsmanship of the cloths, mosaics, woodwork, ceramics and overall architecture of these societies, which was the inspiration for the artwork. The methodology used was observation and the study of many pictures compiled for reference.
Ylham: The inspiration behind these paper pieces is the variety of patterns, textures, and colors found in different cultures around the world. Each scene depicts the wildlife found in these nations. Having been born in a very colorful and diverse country, Nathanna is fascinated by the craftsmanship of items from countries like Morocco, India, China, Peru, and the many nations of the African continent. All this made her want to try her hand at creating art that celebrates diversity. It is a tiny little world indeed.
Taslama Dowamlylygy: The project was developed between the years of 2017 and 2018, in Sao Paulo, Brazil. It started in July 2017 and finished in February 2018.
Iş Akymy: This design will be used on products of The Art of Nathanna Erica brand, like clothing and accessories. It was designed to be used in a variety of products, as a way to raise awareness to the importance of celebrating the many beautiful cultures and nations around the world.
Patentler: Copyrights belong to Nathanna Érica, 2018.
Surat Awtorlary: Illustrator: Nathanna Érica