Takafumi Miki and Tomoki Mitsuhashi tarapyndan Arch-able Ýazgy şrifti

Takafumi Miki and Tomoki Mitsuhashi tarapyndan döredilen Arch-able Ýazgy şrifti dizaýny Grafika, Illýustrasiýa we Wizual Aragatnaşyk Dizaýny Bäsleşik Kategoriýasynda 2020 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçGrafika· 2020

Arch-able Ýazgy şrifti

dizaýner: Takafumi Miki and Tomoki Mitsuhashi

Müşderi: Arch-Able

Grafika Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

9,311

Tassyklanan Baýrak Ýeňijisi

#99349 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Arch-able Ýazgy şrifti hakynda

Arch-able sanly öndürmek üçin döredilen trafaret ýazgy şriftidir. Bu şrift arhitektorlaryň taslamalarynyň sanly maglumatlaryny arhiwleýän we ýaýradýan Arch-able platformasyny goldaýar. Nyşanlar toplumy 26 harp, 10 san we 26 simwoldan ybarat. Ähli burçlar tegelenendir, şonuň üçin burawlar, lazer kesijiler we beýleki gurallar her bir burça ýetip, ony yzarlap bilýär. Köp trafaret şriftlerinde nagyş edip bolmaýan göni burçlar bar. Arch-able bu çäklendirmäni aradan aýyrýar we başlangyç derejedäki ulanyjylara adaty gurallar bilen üç ölçegli ýazgylary döretmäge kömek edýär.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Arch-able Ýazgy şrifti A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Arch-able Ýazgy şrifti uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Arch-able Ýazgy şrifti zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: ARCH-ABLE is a platform to archive and distribute digital data of architects’ designs. Anyone can download and reproduce architects’ designs as long as they are following the creative commons license.
This typeface is digital fabrication friendly because it has stencil style shapes and all corners are rounded for all drill bits, laser cutter, and other tools.
It makes all users comfortable to reproduce their products easier.
Ölçegler we Gaplama: 26 letters, 10 numbers, and 26 symbols
Bellikler: Typeface, Typography, DigitalFabrication, GeometricDesign, Simple, Idea,GraphicDesign, Future, Friendly, Japan
Önümçilik Tehnologiýasy: People had a problem about making 3D typography because it must have stencil style. And some stencil typefaces couldn’t engrave all corners even inside or outside because they have right angle corners.
So ARCH-ABLE typeface solved all issues for making 3D typography because it has stencil style shapes and all corners are rounded especially for all drill bits.
Dizaýn Kynçylygy: This typeface structure has very strict rules. It was really hard to make all the characters. It should be all rounded, 45 degrees, geometric, 4x6, stencil style, and stylish. So we have to make it conceptual but keep it beautiful typeface as well. It was a very important thing.
Gözleg: One day I had a chat with one of my friend who is an architect in Japan. He told me that Almost times I couldn’t engrave the corners of typefaces because they have right angle corners. That was the starting point.
We started to search so many stencil style typefaces all over the world through internet. Then we figured out we have to make all rounded corners typeface for all digital fabrication creators.
Ylham: Nowadays Digital fabrication DIY culture is a boom in Japan. Almost users can use digital fabrication tools but they can’t make original stencil typeface for it. This typeface is digital fabrication friendly and beginner-friendly as well.
Taslama Dowamlylygy: This project term was from November 2018 to January 2020 in Tokyo, JAPAN.
Iş Akymy: People had a problem about making 3D typography because it must have stencil style. And some stencil typefaces couldn’t engrave all corners even inside or outside because they have right angle corners.
So this typeface is digital fabrication friendly because it has stencil style shapes and all corners are rounded for all drill bits, laser cutter and other tools. It means all drill bit can reach and fit all rounded corners.
It makes all users comfortable to make their products easier.
Patentler: Copyrights belong to BANANA inc., 2020
Topar Agzalary: Art Director: Miki Takafumi
Designer: Miki Takafumi
Designer: Tomoki Mitsuhashi
Surat Awtorlary: Image #1: Photographer Kyoko Munakata, ARCH-ABLE, 2020.
Image #5: Photographer Kyoko Munakata, ARCH-ABLE, 2020.