Chang An Temple Gbọ̀ngàn Ìmọ̀lára Ẹ̀sìn Buddha láti ọwọ́ PCC Design - Swe WingChew and Kong MeeChew jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé, Ilé àti Ètò.
FàdákàÌkọ́lé· 2021
Chang An Temple Gbọ̀ngàn Ìmọ̀lára Ẹ̀sìn Buddha
látọ̀wọ́ PCC Design - Swe WingChew and Kong MeeChew
Oníbàárà: PCC Sdn. Bhd
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìkọ́lé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #106505Àpẹrẹ Náà
Nípa Chang An Temple Gbọ̀ngàn Ìmọ̀lára Ẹ̀sìn Buddha
Àpẹrẹ ilé-ìsìn náà dá lórí èrò àwòṣe ilé ìlà-oòrùn àtijọ́ tí a sì papọ̀ mọ́ àwọn eroja àwòṣe ilé ìgbàlódé. Yàtọ̀ síyẹn, pẹ̀lú àyàtọ̀ ilé-ìsìn àkọ́kọ́ náà, a ṣẹ̀dá àwòṣe ọgbà nipasẹ ọgbà àlàfo Zen pẹ̀lú àgọ́ pupa àdìmúlà ti Japan àti àwọn òkúta tí a gbẹ́ pẹ̀lú ìkọ̀wé-ọwọ́ ewì Ẹ̀sìn Buddha. Nítorí náà, ó fa ifihan ìdàpọ̀ àkókò ìgbàlódé àti ẹwà ìlà-oòrùn àtijọ́.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Chang An Temple Gbọ̀ngàn Ìmọ̀lára Ẹ̀sìn Buddha jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Chang An Temple Gbọ̀ngàn Ìmọ̀lára Ẹ̀sìn Buddha yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Chang An Temple Gbọ̀ngàn Ìmọ̀lára Ẹ̀sìn Buddha jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The exterior design of the temple illustrates the richness of elements and characteristics of ancient oriental architecture.
Approximately one-third of the site was intentionally allocated for the vastly Zen garden's landscape, to lure the eyes with beautiful nature as a luxury and great sense of welcoming entrance. The frontage manmade lake was complemented with an outdoor gallery of Chinese calligraphy and Buddhism statue stones carving along the pedestrian path circling to evoke the scene of the modern era emerging with ancient oriental characteristics. - Ìwọ̀n àti Àpò
- The project is with a building scale of 20,440 Square meter and an Land area of 39,254.50 Square meter
- Àwọn Àkọlé
- Oriental Architecture, Temple, Enlightenment Hall, Buddhism, Calligraphy, Nature
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The site is situated in Malaysia, a hot-humid tropic country with high precipitation all over the year.
The construction structure is dominantly a reinforced concrete and masonry wall- sustainable and suitable for the hot tropic climate and minimal seismic zone.
Pitch roof and clay tiles are the most sustainable roof type to address the hot-humid and heavy rainfall.
The reflective pond surrounding the temple building footprint is another sustainable tool that acts as an air inter-cooler system, to reduce external air temperature before entering into the building and to reduce the dependency on the air-conditioner. - Ìpèníjà Àpèsè
- The challenging part of the building is the conversion of technology. The ancient oriental architecture is created through timber building structure, whereas the timber structure is not capable of to current era. Hence, the conversion of ancient timber structure into a concrete structure without losing any aesthetic feeling and actual proportion of ancient oriental architecture is our main challenges
- Ìwádìí
- Chinese calligraphy and Buddhism statue stones carving are essential in traditional Chinese architecture. They hold a high philosophical and historic value.
Those stones are introduced into the Zen garden landscapes as an outdoor gallery along the pedestrian path circling the lake - to complement the atmosphere towards the sense of oriental and its origin.
The interior design of the enlightenment hall is decorated with many of those stones at the columns, walls, and ceilings - to enrich the spiritual moods and to complement the purpose. In other words, it recreates a modern version of Mogao Cave temple in Dun Huang, China. - Ìmísí
- The inspiration for this theme of the design is through the Tang, Song, and Ming Dynasty architecture - emphasizing the traditional elements of details such a roof, screens, and sculptures into the modern touch to create a progressing architecture, Neo Oriental.
Traditional lanterns are significant ornaments in Chinese tradition that were being translated into the façade design as a Chinese screen with frosted glass backlight effects – to create a neo-oriental illuminated by the modern vibe. - Àkókò Iṣẹ́ Àkànṣe
- The project expected started in October 2020 Selangor, Malaysia and will finish in year 2022
- Ìlànà Ìṣiṣẹ́
- Besides the usage for Main Temple Hall, the building also takes the experience of visitors in the outdoor Buddhist calligraphy garden into account. The project is set up according to various functions, including a prayer hall, indoor and outdoor Buddhist cultural caligraphis museum, meditation, etc.
- Àwọn Ọmọ Ẹgbẹ́
- Creative director: SW Chew, KM Chew
Design Assistant:Nor Azmi Bin Nor Saidon, Mohamad Hisamudin - Ìfọwọ́sí Àwòrán
- All image credited by PCC Design Sdn. Bhd
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