Shany Dvora 嘅作品 Shany Abdallah Naji 平面藝術系列

由設計師 Shany Dvora 創作嘅 Shany Abdallah Naji 平面藝術系列係備受推崇嘅 2021 A' Design Award 銀獎得獎作品，獲獎類別為平面設計。

銀平面· 2021

Shany Abdallah Naji 平面藝術系列

由 Shany Dvora

平面類別嘅 A' Design Award 銀獎得獎者

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經驗證嘅獲獎者

驗證設計 #121320 嘅獲獎狀態

訪問網站喺 A' Design Award 查看新聞稿獎項徽章

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設計

關於 Shany Abdallah Naji 平面藝術系列

Shany Abdallah Naji 係一個重現家族命名傳統嘅平面作品系列。呢個傳統喺家族由伊拉克移居以色列時終止,傳統做法係畀初生嬰兒改一個名,後面接住父親同祖父嘅名。呢個系列係喺搵到舊家族移民文件之後創作出嚟。五件混合媒介作品,其中四件尺寸為50乘70厘米,另一件為75乘70厘米,將圖像編織入希伯來書法之中,靈感來自12世紀至15世紀期間喺伊拉克、也門同摩洛哥製作嘅希伯來手稿。

榮譽認可

關於A' Design Award 銀獎

Shany Abdallah Naji 平面藝術系列是 A' Design Award 銀獎得主，這是授予頂級、華美而令人印象深刻的設計的極為崇高的認可。銀獎得主是極其卓越、極具創造力的作品，展現出其設計師傑出的專業技能、才華與敏銳。預計Shany Abdallah Naji 平面藝術系列將成為一件出色的典範之作，兼具非凡的專業性與深刻的創新性。這件贏得 A' Design Award 銀獎的設計是一項備受矚目、令人欽佩的發明，造福並拓展藝術、科學、設計和技術的界限。Shany Abdallah Naji 平面藝術系列是一件令人羨慕的創作，它喚起渴望，帶來積極的情感，並激發驚嘆與讚嘆。

設計背後

新聞資料包

由設計師提供嘅製作人員名單、團隊成員同技術詳情。

獨特屬性: Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry
尺寸同包裝: 4 works 50*70 cm
1 work 75*70 cm
標籤: Calligraphy, Typography, Hebrew, Eastern
生產技術: Mixed Media
設計挑戰: -
研究: For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.

This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.

Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
靈感: In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
項目時長: 2018-2019, Israel
操作流程: -
專利: -
團隊成員: -
圖片來源: Shany Dvora