Aesthetics and Chinese Tasnukyt n Uhajji sɣur Chia-Hui Lien

Aesthetics and Chinese Tasnukyt n Uhajji sɣur Chia-Hui Lien d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Unuɣ, Tugna d Teywalt Tamulant.

LbrunzUnuɣ· 2020

Aesthetics and Chinese Tasnukyt n Uhajji

sɣur Chia-Hui Lien

Amsaɣ: Chia-Hui Lien

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Unuɣ

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Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #102037

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Aesthetics and Chinese Tasnukyt n Uhajji

Aesthetics and Chinese d agraw n yihajjiyen ibnan ɣef tsnukyt n isekkilen Icinwaziyen. Askar n yal asekkil yebna seg iḍrisen-is idasliyen (radicals), i d-ițțbanen s uskerkes d usnerni agraduyan. Agraw-agi isnifel adris uran ɣer tugniwin tuzviwin, yerna isseqdac tasnukyt n isekkilen d ugmuḍ asuf n uzmul. Ihajjiyen, tikarḍiwin n usiwel akked wedlis țwasiegzen akken ad d-banen lqedd n isekkilen. Ihajjiyen msawan 70 s 100 s usentimitr. Amahil-agi issefham tutlayt tacinwazit d isekkilen-is am uɣbel adelsan yețdumun n yedles Agmuḍi.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Aesthetics and Chinese Tasnukyt n Uhajji d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Aesthetics and Chinese Tasnukyt n Uhajji ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Aesthetics and Chinese Tasnukyt n Uhajji yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: This series of works is based on the design of Chinese characters as the main visual design axis. The structure of the Chinese characters formed by the radical strokes of the Chinese characters is presented in a rotating and gradient manner.
Tigejdiwin & Akemmus: ●Poster design-W70XH100cm
●DM design-W21XH29.7cm
●Book design-W14.8XH21cm
Tibzimin: Chinese character design，Font design，poster design
Tasnakta n Ufares: In order to highlight the font design, the printed design is specially printed with posters and invitation cards.
Asewḥel n Usnulfu: The most difficult part of the design process is the design of Chinese fonts. The structural considerations and visual aesthetics in the fonts must be noted.
Anadi: Chinese and Chinese characters are important assets for the long-term and continuous development of oriental culture. The work takes Chinese character design as the main design core, and reproduces this cross-border oriental style design energy in contemporary art and literature trends, and actively displays Chinese and Chinese character books. The art and culture are rich in design capacity.
Aseḥbiber: 2019 Creative Poster Design Exhibition: A Crossover between Aesthetics and Chinese Characters” will employ “the beauty of Chinese language and characters” as the design elements to transform texts into visual symbols; “innovation” as the central idea, and font design as a brand new embodiment approach, through the design of posters, to probe the future possibilities which are in line with the beauty of "crossover", "aesthetics" and "Chinese characters”.
Tanzagt n Usenfar: October 2019 to complete the design.
The design was completed in November 2019. 2019.11.8 Exhibition and activities at Tung-Fang Design University, Kaohsiung, Taiwan
Tanila n Umahil: The design of the structure of the Chinese character font using the strokes of the font line requires a lot of time and testing.
Imsuren n Tugniwin: CHIA-HUI LIEN