Everything Aẓayer n tektabin sɣur Na An and Huanyi Liu

Everything Aẓayer n tektabin sɣur Na An and Huanyi Liu d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Umagrad d Umidya Yettwaɣran.

UzzalAmagrad· 2020

Everything Aẓayer n tektabin

sɣur Na An and Huanyi Liu

Amsaɣ: Luxun Academy Of Fine Arts

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Amagrad

12,719

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #103612

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Everything Aẓayer n tektabin

Ammud d aggur n sin yidlisen yeɛnan idles aqbuṛ acinwa. Tnac n isɣan n tmurt d agbur agejdan, mmugaren-t tegrestin, allalen n yiṭij (solar terms) akked lḥila n zodiac acinwa. Yal adlis yesɛa tiddi n 170 ɣer 300 ɣer 25 tmilimitrat, yettwaxdem s tsekkurt d ukaɣed uzun. Tuẓɣent teṭṭafar tafaska n usemsel n yidlisen aqbuṛen icinwiyen, ayen i geǧǧen ifelḍan ad ttwarren s tefsi, ur ttwaldin d ikemmalen neɣ d ma yellan meẓẓi. Aslag yezmer ad yili s usekcem n tefray s tafat (laser engraving), tasiggart s tafat (laser printing), asexdem n tissugna d usekcem s tewsatin ihmayen (hot stamping). Tanila tesseqdac tugniwin yettwaxdmen s ufus, taẓuri n tewsatin akked ini ameẓyan n uzegzu (high grey tones).

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Everything Aẓayer n tektabin d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Everything Aẓayer n tektabin ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: These are books about traditional culture, it contains the philosophy of development and change of everything. The book is created with the twelve earthly branches as main content, combined with seasons, solar terms, Chinese zodiac. In layout design, it selects objects like leaves, buds, flowers and stones, uses methods of combination, reconstruction, contrast. In binding process, it was bind in folding form of ancient Chinese books, used wood, special paper and hot stamping materials.
Tigejdiwin & Akemmus: There are two books altogether, the size of each book: 170mm x 300mm x 25mm.
The books are available for printing media, motion graphics and installation art now, and they will be used for web pages, App, digital media in the future.
Tibzimin: traditional culture, the twelve earthly branches, everything, reconstruction, Chinese book, bind in folding form, wood, special paper, hot stamping
Tasnakta n Ufares: Books are made of wood and special paper. Printing process includes laser engraving, laser printing, creasing and hot stamping. In layout design, the books used hand-drawn graphics, texture art and the hue of the high gray. The software being used are Adobe Illustrator and Adobe Photoshop.
Asewḥel n Usnulfu: The hardest part of this design is the exact expression. From a historical perspective, everything changes in a regular way, people should go with nature and seize the moment. From a social perspective, things are small, the world is big, people need to be open-minded, keep harmonious coexistence with everything. How to express Chinese culture and traditional philosophy through bookbinding and layout design is the research challenge.
Anadi: The research objectives is the redesign of traditional culture, it is also a response to the growing demand for traditional culture and Chinese elements in commercial design. The design methods include folding and binding, layout design, material application, etc. Printing tools includes laser engraving, laser printing and hot stamping. The conclusion is that the ingenious combination of modern elements and historical culture can achieve better design results.
Aseḥbiber: Firstly, the rise of Chinese culture and national traditions in both commercial design and academic field is a important background factor. Secondly, the research on ancient Chinese books has given the project a lot of technical support. Thirdly, with the development of media, the research on media of books has been further deepened, the physical book should continuously enhance its artistry and collectivity. Finally, the philosophical, traditional and cultural content is the inspiration in design.
Tanzagt n Usenfar: The project started in March 2019 and finished in June 2019 in China.
Tanila n Umahil: The binding form of folding comes from the ancient book. It has the advantage of being easy to turn the pages, and gives people a sense of history and philosophy. This kind of page binding, book could be expanded as needed, in part or all. When the person reads, can produce a lot of continuous space. This is an elegant dynamic process, the layout is constantly changing, whether the book closed or open, will produce different three dimensional display.
Igmamen n Terbaɛt: Huanyi Liu