Ɛeddi ɣer ugbur
Cats In The Bag Tasɣunt sɣur Kozo Asada

Cats In The Bag Tasɣunt sɣur Kozo Asada d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Unuɣ, Tugna d Teywalt Tamulant.


UzzalUnuɣ· 2021

Cats In The Bag Tasɣunt

sɣur Kozo Asada

Amsaɣ: Kozo Asada

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Unuɣ

7,909

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #112319

Initen

Afeṣṣel

Ɣef Cats In The Bag Tasɣunt

Cats In The Bag d aggrudel n tugniwin yettwaḥerzen deg ufran, i d-yeskanayen imuccan ur nesteɛfa deg yisekkaren. Yal aɣbalu n uẓrag yeskan-d yiwet n tmeẓla tasusmi n wass akked yiwen umucc. Aggrudel-agi yesken-d imuccan s ucɛar aɣezfan, s ucɛar awezlan akked wid ur nesɛi ara acɛar, myeddin akked isekkaren s telɣiwin yemgaraden. Tugniwin-agi ttwaxdimen s wudem umṣadi, sakin ttwasiggzent ɣef tanaḍt n tazrart s tarrayt n usiggez s ḥrir. Aṭas n tanaḍin yettwasiggzen ttwakemmlent s wesdukel deg ufran ittwaxedmen s wudem uzun, s warrat n uḍris akked tferra n ugzem ttwarran-t deg deffir, ihi tugna tettban-d s tlata n tewsatin ticud, mi ara yettbeddel udem n uwalan. Yal aḍris usemdal yesɛa lqedd n 422 n uwelqim ɣef 422 n uwelqim.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Cats In The Bag Tasɣunt d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Cats In The Bag Tasɣunt ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
This is a project to bring the presence of cats into everyday life.
He drew a simple graphical representation of a cat and a bag, a scene that could exist in everyday life.
When you actually look at the work, it looks three-dimensional and therefore attracts your attention in your daily life.
The theme of the work is cats with a wide variety of hair, including long-haired, short-haired, and hairless cats.
She has also chosen to use bags with different appearances.
Tigejdiwin & Akemmus
Height:422mm x Width:422mm x Depth:50mm (including the frame)
Tibzimin
cat, bag, illustration, art, silkscreen
Tasnakta n Ufares
He examined what methods are appropriate for fixing digitally painted illustrations to the acrylic plates.
A silk-screening technique was employed. We also experimented with a method of creating a three-dimensional effect by layering the acrylic plates.
An original picture frame is made to fit two acrylic plates.
Materials used: acrylic plate, silk screen, acryl gouache. paper, cutting seat.
Asewḥel n Usnulfu
When you see a painting in an actual gallery.
Which size of exhibit looks the most beautiful?
Because of the distance between you and the person viewing your work and the influence of the lighting.
Which size of picture is best suited to create
He created and considered a variety of sizes.
For the display of this piece, there was a need to create the minimalist and simple presence of the illustration, so I
He made it a primitive square.
Anadi
The first thing we did was to investigate what types of cats there are.
They have different lengths and patterns of hair depending on the type.
It also has its own unique pose and big changes in appearance.
He have examined those differences in combination with the bag and the way it looks attractive.
Aseḥbiber
This project was born from the essential relationship between cats and bags in daily life. It is common to see a cat sleeping in a bag or a plastic bag in daily life with a cat, which is a posterior neck.Cats are said to have always liked small spaces, and it is said that they used to protect themselves from enemies and to rest in small spaces. For cats kept in modern houses, the bag seemed to be used as a single nest for them.Watching them resting in their bags, as if the two had been that way from the beginning. I felt that the relationship was complementary to each other.
Tanzagt n Usenfar
The project began in Tokyo in April 2016.
Solo exhibitions have been held in Tokyo and Hiroshima.
Tanila n Umahil
Multiple silkscreened acrylic boards are stacked on top of each other, and paper and cutting sheets are placed at the bottom to create a single painting.
Between the acrylic boards, He put them in a special frame.
It is made to produce a three-dimensional effect by shifting the viewfinder's perspective from a few millimeters away.
Ibrivan
Copyrights belong to Kozo, 2016
Igmamen n Terbaɛt
Art Director: Kozo Asada, Illustrator: Kozo, Photographer: Arisa Kasai
Imsuren n Tugniwin
Image 1: Illustration Kozo, Photographer Arisa Kasai, 2016 .
Optional Image 1: Illustration Kozo, Photographer Arisa Kasai, 2016.
Optional Image 2: Illustration Kozo, Photographer Arisa Kasai, 2016.
Optional Image 3: Illustration Kozo, Photographer Arisa Kasai, 2016.
Optional Image 4: Illustration Kozo, Photographer Arisa Kasai, 2016.

Yettwaxellṣen

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