Trinity Tunɣa Tamenɣit sɣur Vanja Vizner d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Unuɣ, Tugna d Teywalt Tamulant.
LbrunzUnuɣ· 2021
Trinity Tunɣa Tamenɣit
sɣur Vanja Vizner
Amsaɣ: Art of core
Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Unuɣ
Anerbaz n Urraz Yettwasenqden
Senqed Addad n Urraz i #112954Afeṣṣel
Ɣef Trinity Tunɣa Tamenɣit
Trinity tettekki ɣef wemdan: asnefli-ines aɣliman, aḥessas akked wanmetti. S yikalasen-is inmettiyen d yiḥessasen, yesselhed tiqerruyin ɣer tmetti, imawlan, akked twennaṭ. S uqbel n yiferdisen imziren akked iǧehdiyen n tmetti, ad d-yili aseɣwet i usnefli ɣer tmuɣli tahulit. Amedyaz issawal ad nerr ɣer usdukkul n meṛṛa deg umkan n ufeṛṛeq, d uṣewweḍ ɣef tefhamt deg umkan n ugemmeḍ.
Asmekti
Ɣef Tarbaḥt A' Design Award n Lbrunz
Trinity Tunɣa Tamenɣit d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Trinity Tunɣa Tamenɣit ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Trinity Tunɣa Tamenɣit yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.
Deffir n ufeṣṣel
Tagrurt n tɣamsa
Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.
- Taɣara Tasuft
- The main focus of the artwork is on the growth of mental, and emotional body by passing various stages of human development. It addresses the challenges in one's relation to gender, social, parental, political preconditioning including self-conditioning. Its main idea is to show the path of constant learning development to improve one's cognition, heart and mind connection to its environment in order to overcome stagnation created by setting absolute values of opinions, which creates repetition over time.
- Tigejdiwin & Akemmus
- The size of digital art of is 720 mm x 720 mm/72 dpi.
- Tibzimin
- trinity, visionary art, digital art, humanity, artofcore, vanja vizner
- Tasnakta n Ufares
- Base sketch was a pencil drawing that was further developed in "Photoshop" by using "Wacom" graphics tablet. Finished artwork was done by use of regular paintbrushes, filters, layer styles and effects with stylized changes. Process of making was experimental progressive painting without a clear motive in mind.
- Asewḥel n Usnulfu
- The challenge was to improvise while keeping the technical part and the structure of the image meaningful without knowing the outcome. This kind of experimentation was mentally intensive and time-consuming. The artist overcame the obstacle by switching between abstraction and rational.
- Anadi
- Human society has set values in the past to make clear distinction of man and woman roles in society. These roles were initially set by practicality through order. The artist tries to convey the message that, whilst this approach may have been practical in the past, it may cause fragmentation in the mind of humans. Humans suppressed the feminine or masculine part of their beings and restrained themselves from reaching full potential of their mind.
- Aseḥbiber
- Inspiration came from the artists exploration of unconditional Love and nonattachment towards living beings and their environment. Accepting the world as one continuous process with all its faults and imperfections.
- Tanzagt n Usenfar
- The project started from May 2015 and finished in August 2015. The design is done in Zagreb, and was exhibited in Psychedelic Dream Temple Gallery August 2017.
- Tanila n Umahil
- The artwork is arranged in a linear way from bottom to top. The information presented to the public has three points: 1. Realization of the negative aspects of society 2. Acknowledgement of their own ancestral legacy 3. Growth and its own responsibility in the universe by expanding to the unknown.
- Ibrivan
- Copyrights belong to Vanja Vizner, 2015.
- Imsuren n Tugniwin
- Image #1: Illustrator Vanja Vizner, Trinity, 2015.
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