Ɛeddi ɣer ugbur
SP Saffron Grotesk Amedya n Tsefsit sɣur Paul Robb and Moira Bartoloni

SP Saffron Grotesk Amedya n Tsefsit sɣur Paul Robb and Moira Bartoloni d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Unuɣ, Tugna d Teywalt Tamulant.


LfeṭṭaUnuɣ· 2022

SP Saffron Grotesk Amedya n Tsefsit

sɣur Paul Robb and Moira Bartoloni

Amsaɣ: S6 Foundry

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Unuɣ

40,942

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #135663

Initen

Afeṣṣel

Ɣef SP Saffron Grotesk Amedya n Tsefsit

Saffron d tasefsit taseddast tanesɣest tamaynut neo-grotesque war tigerman, s umgaraden imeknanen iǧehden, i yessersen ɣef uẓawan d ilugan tiseddast n ttrart taswist. Taẓrigt-a tamaynut d talaɣ tettwafeslen i wakken ad d-tefk asuddes awlaf i tmerna d unway. Tasefsit-a tanaṣlit d tamaynut tettmettay-d i ubeddel n uẓawan amaynut. Amedya-a yettwabḍa ɣer yiḥricen, yesɛa ifilyunen n umeccaq s usenṭeḍ deg ufakuy.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

SP Saffron Grotesk Amedya n Tsefsit d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. SP Saffron Grotesk Amedya n Tsefsit ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
Saffron is an elegant contemporary neo-grotesque sans-serif typeface with strong stylistic geometric contrasts, drawing on the aesthetics and the typographic standards of Swiss modernism. The distinctive wide-open stance was designed to give the right visual consistency for branding and communications. This authentic and original typeface represents the shifting contemporary aesthetics. The specimen is divided into sections, with ringbinded posters inside the pack.
Tigejdiwin & Akemmus
Binder 230 x 320 x 80
Tibzimin
Font design, Branding, Identity, Type design
Tasnakta n Ufares
The binder is printed in 8 colors using various stock papers
Asewḥel n Usnulfu
The challenge was to create a new set of forms and aesthetics for a san serif font, using the elegance of a serif and transforming it into a gothic sans.
Anadi
The research was carried out in a museum of printing with the hot metal systems of linotype and monotype as a base to discover the best idea for the legality, spacing, and counter size.
Aseḥbiber
Inspiration for the design of the font was gained from swiss modernist typefaces from 1960 to present aesthetics. The design and form of the folder was inspired by the idea of a reference binder and a manual of usage and to give the idea of a modern digital typeface presented in a retro feel.
Tanzagt n Usenfar
Font was designed from August 2021 and was finished in December 2021
Ibrivan
Paul Henry Robb
Igmamen n Terbaɛt
Paul Robb
Moira Bartoloni
Imsuren n Tugniwin
Paul Henry Robb

Yettwaxellṣen

Snirem Seld Designers.org

Af-d iferdisen, imeẓla d tegnatin sɣur yimɛawnen-nneɣ n usissen.

Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

Sumer