Ɛeddi ɣer ugbur
Vessi Animation Aẓawan n Wefaris sɣur Mateus Morgan

Vessi Animation Aẓawan n Wefaris sɣur Mateus Morgan d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Usaru, Avidyu d Usmussu.


LfeṭṭaAsaru· 2022

Vessi Animation Aẓawan n Wefaris

sɣur Mateus Morgan

Amsaɣ: Morgan Studio

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Asaru

53,274

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #136048

Initen

Afeṣṣel

Ɣef Vessi Animation Aẓawan n Wefaris

Vessi Animation d aẓawan n uɛeṭṭel yettwaxelqen i yiwet n uqarkas. Aẓawan yesskan-d afaris s ferren n yiferdisen n twali igamanen i yeqqnen arkasen ɣer tudert n umsaɣ. Aman qqnen ɣer tumanin n uqarkas, ma d asigna yesskanay-d fessus. Aqarkas yettwaxdem s tetiknikin n tferḍatin tuɣdiḍin deg 3ds Max, s useqdec n tewlafin d amecwaṛ, dɣa ttwaseqdec-d tinnawin n uglim. Arendering yettwaxdem s Redshift ma d asensu s Houdini. Aẓawan yettwaseqdec deg usmel web n ufaris akked ɣef izeḍwan inmettiyen, war aḍris n usegzi.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Vessi Animation Aẓawan n Wefaris d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Vessi Animation Aẓawan n Wefaris ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
The idea is to bring the characteristics of the product through the use of visual elements, connecting the shoe direct to the customers life style. The mood also transmits lightness, present on the shoe essence. Everything made in 3D without scans
Tigejdiwin & Akemmus
1920X1080
Tibzimin
boot, shoe, cgi, footwear, fashion, 3d boot, cgi boot, vessi
Tasnakta n Ufares
The boot was modeled using photographs as a reference and hard surface 3D modeling techniques. For modeling we used the software 3ds Max. All the textures made using leather texture and some photoshop brushes. Redshift was used for rendering and Houdini for Simulations
Asewḥel n Usnulfu
The hardest part was making the simulations, considering that there's a lot of elements that hard to be perfectly represented as the real world
Anadi
The work was executed based mainly on the previous experiences in other works for several companies of the sector footwear, in very natural way. Feedback was collected mainly online about the quality of the 3D itself as well as the sensations that people had in the first contact with the art.
Aseḥbiber
We where inspired by nature elements, connecting the image directly with the customers life style. The water element is fully connected to the product features, as well the cloud element that represents lightness.
Tanzagt n Usenfar
It toke around 2 months to finish
Tanila n Umahil
The animation visual was used on online such product website, instagram and facebook. The main focus was to attract attention to the product, bringing in the composition elements that generate the necessary sensations without the need for explanatory texts. Competitors often use images without a strong visual appeal, so the product, especially in the online market, goes unnoticed. The excess of texts works negatively in most of these cases, underestimating the viewer's intellect.
Igmamen n Terbaɛt
Mateus Morgan, Vinicius Lavor, José Rafael, Enzo Kinukawa, Samuel Simionato, Lucas Feitosa, Teresa Chan

Yettwaxellṣen

Snirem Seld Designers.org

Af-d iferdisen, imeẓla d tegnatin sɣur yimɛawnen-nneɣ n usissen.

Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

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