2022 Phantasm Tagrumma n tsennaḍin n tmart sɣur Yen-Ting Cho d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Isegbaren n Tmuḍa d Usikel.
LfeṭṭaAsegbar· 2022
2022 Phantasm Tagrumma n tsennaḍin n tmart
sɣur Yen-Ting Cho
Amsaɣ: YEN TING CHO Studio
Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Asegbar
Anerbaz n Urraz Yettwasenqden
Senqed Addad n Urraz i #136065Afeṣṣel
Ɣef 2022 Phantasm Tagrumma n tsennaḍin n tmart
Tisennaḍin n tmart tazizayt i meṛṛa, s yineɣrafen imiranin yemgaraden yettwasfeḍen s tusnakt tumsihelt, ifulfsen s useqdec n useɣẓan uslig yettubnan i waya yettwasemman Mov.i.see, i yesseqdacen amussu n lǧesed akken ad isnifel isefka umsihlen yerna ad d-yesken ifruriyen iɣarṣanen ur nezmir ara ad ten-d-nawi kan s usihel n uselkim. Mov.i.see i d-yettmuddun tagnit i umaraw ad d-yesnulfuy ineɣrafen ur nenṭaṭen ara yerna ur ttuɣalanen ara, ayen i d-yeffren tisennaḍin s waṭas n tdirin d urar i nezmer ad ten-nseqdec s yiberdan imsefraḍen almend n waddad neɣ taswiɛt, yerna ur mṣadan ara ɣer kra n yifarisen nniḍen deg usemruḥ n tsetiwin neɣ n yiɣewwaṛen n uzeṭṭa.
Asmekti
Ɣef Tarbaḥt A' Design Award n Lfeṭṭa
2022 Phantasm Tagrumma n tsennaḍin n tmart d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. 2022 Phantasm Tagrumma n tsennaḍin n tmart ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.
Deffir n ufeṣṣel
Tagrurt n tɣamsa
Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.
- Taɣara Tasuft
- The patterns are unique because they are created with the studio's digital software, mov.i.see, which uses body movement to reconstruct digital data and reveal organic details not possible solely by programming. This enables he design team to create asymmetrical, non-repeat patterns that are very different from those made using traditional methods eg. mirroring or repetition. Finished by hand, the patterns are digitally-printed onto natural fabric which enables the design team to reproduce the fine detail of the designs.
- Tigejdiwin & Akemmus
- Each scarf: pure wool fibre, 100cm wide x 200cm long, 0.4 kg weight. Pattern digitally-printed with ink free of heavy metals.
- Tibzimin
- Digital design, digital print, wool, scarf, textile design, pattern, contemporary, new aesthetic, COVID-19, pandemic
- Tasnakta n Ufares
- The design team uses a bespoke interactive software, mov.i.see, to create digital patterns. Mov.i.see uses body movement to reconstruct digital data and reveal organic details not possible solely by programming. For this Collection, the team used, for the first time, layered design to bridge the gap between the figurative and the abstract to represent the complexity of the COVID-19 virus. Digital printing techniques reproduce the fine detail of the original designs whilst retaining the special colour-pattern combinations. Pure fine-combed wool holds the ink and reveals the detail of the pattern.
- Asewḥel n Usnulfu
- The challenge was to create patterns inspired by the difficult circumstances of the COVID-19 pandemic that were colourful, optimistic and playful. The team researched thematic concepts and colour-ways, and experimented with mov.i.see to create the new patterns. The designers used, for the first time, layered design to integrate distinctive abstract patterns with figurative symbols (eg. houndstooth). The patterns were modified whilst they were being created, rather than allow the software to wholly dictate the design; consequently, the patterns reveal the authorship of the designer.
- Anadi
- The design team creates unique patterns using a bespoke digital software programme (mov.i.see), which uses body movement to reconstruct digital data and reveal organic details not possible solely by programming. Inspired by the COVID-19 pandemic, the team aimed to apply the designs to a saleable commodity - pure wool scarves - that are colourful, optimistic and playful. Through trial and error, the team found digital printing techniques that reproduce the fine detail of the original digital designs whilst retaining the special colour combinations. The scarves are retailed and exhibited internationally.
- Aseḥbiber
- The 2022 patterns represent a personal creative response to the COVID-19 pandemic. Physically stranded between studios in two countries during national lockdowns, the design team looked inwards for inspiration. Longing to escape to a utopian paradise, the team envisaged a journey to a fantastical world. The response was fantastical, ethereal and playful patterns based on the imagined journey, incorporating radically new pattern structures and colour combinations.
- Tanzagt n Usenfar
- This Collection was inspired by the peculiar circumstances of the COVID-19 pandemic. The design team started designing the patterns in September 2020 and completed the project in February 2022 when the patterns were launched in New York City.
- Tanila n Umahil
- A pure wool scarf with a digitally-printed pattern which can be worn as a gender-neutral fashion accessory. The studio produces unique and dynamic patterns that can be applied to playful, aesthetically-pleasing and desirable products. With asymmetrical and unique colour combinations, the scarf can be worn in different ways and to reflect individual expression, and fit changing fashion needs and occasions. Patterns are printed through the wool, so each pattern is double-sided. The wool is specially treated so that it is very comfortable and non-abrasive to the touch.
- Ibrivan
- Copyright 2022 YEN TING CHO.
- Igmamen n Terbaɛt
- Director: Yen-Ting Cho
Co-Director: Jamie Gilham
Software Developer: Yen-Ling Kuo
Software Developer: Yen-Ting Yeh
Brand Assistant: Cheng-Lin Lee
Design Assistant: Yu-Ting Li
Video Editor: Kai Ting Chan
Yettwaxellṣen
Snirem Seld Designers.org
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