Suprala Font Family Amedya n tsefsit sɣur Paul Henry Robb

Suprala Font Family Amedya n tsefsit sɣur Paul Henry Robb d anerbaz yettwaqadren meqqren n 2023 Tarbaḥt A' Design Award n Ddheb deg Taggayt n Tnaflit n Afeṣṣel n Unuɣ, Tugna d Teywalt Tamulant.

DdhebUnuɣ· 2023

Suprala Font Family Amedya n tsefsit

sɣur Paul Henry Robb

Amsaɣ: S6 Foundry

Anerbaz n Tarbaḥt A' Design Award n Ddheb deg Taggayt n Unuɣ

140,489

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #147624

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Suprala Font Family Amedya n tsefsit

Suprala d tasefsit serif tadunsant tifint n lweqt-a, s telɣiwin tigezzanin akken iwata, tummid i yisenfaṛen n temsuli akked unmeggay. Usmel n Suprala akrur, ifulkin, yerna d afessay s umezruy, yessefray akk tutlayin tigejdanin n tlatint s tnac n yimeẓla. Tira tuḍḍant tameɣtut tessali taɣanact, tettawi-d tazmert tesewḥad-itt i yiseqdacen imaynuten. Yal azurun yegber ugar n 700 n tegzumin s yigrawten n isekkilen akked wuṭṭunen s uɣanib akked tegzumin nniḍen d usemlal afran.

Asmekti

Ɣef Tarbaḥt A' Design Award n Ddheb

Suprala Font Family Amedya n tsefsit d amerbaḥ n Tarbaḥt A' Design Award n Ddheb, tagmat tuffirt i yisnulfa n umezwaru yelhan s waṭas. Imerbaḥen n Ddheb d isnulfa d imaynuten d imeqqranen. Suprala Font Family Amedya n tsefsit ad d-yefk lqima ur nesɛi amgarad, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Suprala is a contemporary delicate humanist serif typeface, with beautifully balanced forms, perfect for branding and communications projects. Suprala’s round, elegant, and classically elegant design, supports all major Latin-based languages in twelve styles. True italics advance the aesthetics, bringing energy and making it suitable for modern applications.
Tigejdiwin & Akemmus: The font is availbe if TTF, OTF and WOFF fomats. The specimen was a limited print run.
Tibzimin: Font design, Branding, Identity, Type design, Type Specimen
Tasnakta n Ufares: The font was first hand drawn and developed in Glyphs.
Asewḥel n Usnulfu: The challenge was to develop a new modern language within the design for the typeface, that created a new modern aesthetic.
Anadi: Researching both Sans and serif typefaces from the early 20th century allowed us to develop a hybrid modern, stylistic humanist typeface.
Aseḥbiber: Inspiration for the font family was from design sketches for a san serif font, but as the process advanced the forms and structures developed in the direction of a hybrid typeface. The designs are rooted in the serif style with some of the glyph terminals developed through sans forms, creating a modern adaptable font family,
Tanzagt n Usenfar: The font family was developed in 2022.
Ibrivan: Copyrights belong to Paul Henry Robb, 2022
Igmamen n Terbaɛt: Paul Henry Robb