Museum Hanmi Exhibition Asnulfu n udlis sɣur Sunghoon Kim

Museum Hanmi Exhibition Asnulfu n udlis sɣur Sunghoon Kim d anerbaz yettwaqadren meqqren n 2023 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Umagrad d Umidya Yettwaɣran.

LbrunzAmagrad· 2023

Museum Hanmi Exhibition Asnulfu n udlis

sɣur Sunghoon Kim

Amsaɣ: Museum Hanmi

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Amagrad

34,290

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #147990

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Museum Hanmi Exhibition Asnulfu n udlis

Yessnulfa-d talqaḍt n tewlāfin n "Inside Out, A History of Korean Photography 1929-1982", i d-yettwaskanen deg tulya n Tazeqqa Hanmi. D askan amezruyan i d-yettmuccun ɣer 50 n yiseggasen ineggura n tesuḍeft takuṛyant, yettḍafaṛ timiḍi n twila tidamsanin i deg tesnulfa tesuḍeft takuṛyant amezruy-is seg 1929 ar 1982. Akked uskan-a, adlis-a ad d-iɛiwen ad neḍfer timiḍi n tesuḍeft takuṛyant ddaw twila tidamsanin i deg tebna amezruy-is, yerna ad d-yili d tagnit yugaren i usbadu n umezruy n tesuḍeft n Kuṛya.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Museum Hanmi Exhibition Asnulfu n udlis d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Museum Hanmi Exhibition Asnulfu n udlis ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Museum Hanmi Exhibition Asnulfu n udlis yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: He were directly inspired by the word photo because it is an exhibition photo book that looks back on Korea’s photography history over the past 50 years. Black and white were actively used as design elements on the cover and interior of the book, using photographic techniques that are printed in the way of light and darkness. The exhibition title is Inside Out, so he used intuitive parentheses as graphic elements.
Tigejdiwin & Akemmus: Softcover book, 170mm x 240mm x 38mm, 512 pages, the cover of two versions black and white, black cover is glossy black and glossy red hot foil stamping, white cover is pearl and glossy red hot foil stamping, bookbinding fully unfolded
Tibzimin: MUSEUM HANMI, Photo Book, Book, Photography, Design, Editorial, Graphic, Typography
Tasnakta n Ufares: To express light and darkness, the paper on the cover was made in two versions: black and white. The black version is hot foil stamping with glossy black and glossy red, and the white version is hot foil stamping with pearl and glossy red. He printed it on matte paper so that the pictures of the past could be realized well. The book was tied with thread so that it could be fully unfolded and the back of the book has not adhered to.
Asewḥel n Usnulfu: The biggest goal is to understand the purpose of the exhibition while following in the footsteps of the institutional conditions in which Korean photography has made history and to convey its meaning well in the photo book. Also, since it is a photo book, He wanted to find a design methodology so that the techniques and elements of photography could be expressed in the book, and the two elements of light and darkness presented a great direction.
Anadi: Over the years, he reviewed and organized the LIMB Eungsik’s Scrapbook, the largest archive of Korean photographers owned by MUSEUM HANMI. Based on this, he collected and organized photo materials with the help of various related organizations, bereaved families, and writers. Through this, he found the lost link in Korean photography history and filled the gap in the scrapbook. These efforts will serve as a foundation for academic attempts to establish the history of Korean photography.
Aseḥbiber: He designed a photo collection of , which is the opening exhibition of the MUSEUM HANMI SAMCHEONG. As a historical exhibition that looks back on the past 50 years of Korean photography, he follow in the footsteps of what institutional conditions Korean photography made history from 1929 to 1982.
Tanzagt n Usenfar: The project began in Seoul, South Korea in August 2022 and ended in January 2023. In Korea, books have been distributed to customers since January 2023.
Tanila n Umahil: He designed this book hoping that it will be a memorable book so that visitors to the exhibition can feel their feelings and thoughts about Korea’s photo history even after the exhibition. Along with the exhibition, the book will help follow the footsteps of Korean photography under what institutional conditions it has made history and will be a valuable opportunity to establish Korea’s photography history.
Igmamen n Terbaɛt: Creative Directed & Designed by Kim Sunghoon
Imsuren n Tugniwin: Kim Sunghoon