Sanat Aẓawan Amasay n Timentilt Tafeṭṭinant sɣur Tamer El-Menyawi

Sanat Aẓawan Amasay n Timentilt Tafeṭṭinant sɣur Tamer El-Menyawi d anerbaz yettwaqadren meqqren n 2024 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Unuɣ, Tugna d Teywalt Tamulant.

UzzalUnuɣ· 2024

Sanat Aẓawan Amasay n Timentilt Tafeṭṭinant

sɣur Tamer El-Menyawi

Amsaɣ: Tamer El-Menyawi

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Unuɣ

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Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Sanat Aẓawan Amasay n Timentilt Tafeṭṭinant

Sanat d timentilt tafeṭṭinant i d-yettwaskaren i tkebbanit n uɣanib agensay akked usellek. Aslugen yebna ɣef twellihin tasiwant akked tummant. Izirig ifsusen skawan tasekkilt S s webrid amirucrat. Amuɣ awraɣ (golden ratio) i d-yettarran tazmilt n yizirig-agi. Yiwet n twenza tettwaseqdac s waṭas n yisura deg ugbur n tmentilt. Talɣa tuɣzift-agi tebɣa ad d-tessers izen n tkebbanit s wudem ibanen akked ubrid usrid. Tamentilt-agi tettbeggin tawlaft akked webrid n uslugen n tkebbanit. Asenfar-agi yekfa deg wazal n sin waguren deg wayyur n Fuṛaṛ 2020.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Sanat Aẓawan Amasay n Timentilt Tafeṭṭinant d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Sanat Aẓawan Amasay n Timentilt Tafeṭṭinant ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The design was based on minimalism and abstraction, using lines that form the letter s in a minimal and modern way that reflects the company’s vision and approach to design.
Tigejdiwin & Akemmus: The creative conception drew inspiration from a myriad of tones within a singular hue, embodying a deliberate and artistic strategy employed in crafting the visual identity.
Tibzimin: Minimal, Creative, Visual Identity, Interior Design, Logo
Tasnakta n Ufares: This design was implemented through a minimalist approach with the golden ratio to form the letter S through simple lines.
Asewḥel n Usnulfu: The toughest part of creating the brand identity was finding the right balance between artistic expression and professional minimalism. As someone who leans towards minimalism, it was a challenge to ensure that the design captured the richness of interior design while keeping it simple and memorable.
Anadi: With my artistic and scientific background on the basics of design, the minimalism approach, and the golden ratio; The only thing left to research about this design is global and local competitors in the field of work of the company that owns the visual identity, which is the field of interior design and decoration. As usual in most of my work; Before starting the design, I conduct as detailed research as possible about competitors and the trend of similar artworks to understand the nature of the field from a technical and communication standpoint.
Aseḥbiber: Minimalism is my artistic approach that I follow in most of my work, which converged with the vision and approach of the company’s management when we communicated and discussed the design idea. We agreed on the importance of conveying the communication message in a simple and easy way, without complications or many details.
Tanzagt n Usenfar: This design was implemented in about two weeks, in February 2020.
Tanila n Umahil: Minimalism in the design parts and colors, along with the use of the golden ratio, gave the desired and impressive impression to most viewers of the design, whether from the work team or from the clients of the company that has the visual identity.