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World Vision Organization Overview Askar n Uwenneɛ n Tugna n Umaḍal sɣur Yunsik Son

World Vision Organization Overview Askar n Uwenneɛ n Tugna n Umaḍal sɣur Yunsik Son d anerbaz yettwaqadren meqqren n 2024 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Umagrad d Umidya Yettwaɣran.


LbrunzAmagrad· 2024

World Vision Organization Overview Askar n Uwenneɛ n Tugna n Umaḍal

sɣur Yunsik Son

Amsaɣ: World Vision

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Amagrad

67,536

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #158580

Initen

Afeṣṣel

Ɣef World Vision Organization Overview Askar n Uwenneɛ n Tugna n Umaḍal

Askar n Uwenneɛ n Tugna n Umaḍal d adlis i d-ițbeggin azal n sebɛin iseggasen n umezruy akked ismal n tuddsa tagraɣlant n tallalt. Tasnamekt n uskar tebna ɣef Liman, Timmugra, Asdukkel, Tudert d Targit, yeqqaren s tira BUILD. Deg uqecwal, tira tettwaseknef ɣef tigawin-agi armi d-tban d aḥric abaruri n tugna, s userseg n ddheb azeggaɣ (hot foil stamping). Tiyufra tucufent s tira n silk screen akked yifranen ittwaxedmen ger yixfawen n tektiba sfeḍent udmawen n warrac. Adlis-agi yesɛa taɣzi n 210 x 210 mm, s uqecwal amaṭṭi (matte-coated) yerna yeṭṭef 112 n yisebtar.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

World Vision Organization Overview Askar n Uwenneɛ n Tugna n Umaḍal d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. World Vision Organization Overview Askar n Uwenneɛ n Tugna n Umaḍal ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. World Vision Organization Overview Askar n Uwenneɛ n Tugna n Umaḍal yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
The inspiration was drawn from the word "happiness" accumulated over 70 years. The concept is "Belief + Unity + Integration + Life + Dream = B.U.I.L.D," and it utilizes typography on the cover, stacking letters to create an intuitive graphic element. When you open the book, the transparent film and perforated design between each chapter, shaped in a specific form, shine a light on the faces of children, adding a playful element.
Tigejdiwin & Akemmus
Width 210mm x Height 210mm x Depth 13mm, 112 pages, matte-coated cover, orange hot foil stamping.
Tibzimin
World Vision, Art Book, Illustration, Editorial design, Graphic Design, Typography
Tasnakta n Ufares
The case is designed with black hardboard, and hot foil stamping on the visible part of the cover effectively represents the 'BUILD' stacking concept. In the introduction section of the booklet, an orange silk-screen printed transparent film is overlaid, intending to create a stacking effect of alphabets when the pages are overlapped.
Asewḥel n Usnulfu
The primary goal is to consolidate various departments into a cohesive whole while maintaining a design that feels unified yet non-monotonous. Additionally, since it's an art book, the challenge was to incorporate the 'BUILD' concept seamlessly into the design. Typography and visual elements were utilized to provide a direction for achieving this objective.
Anadi
As a person from South Korea, this project was meaningful to be part of World Vision, which originated from the ruins of the Korean War. Our challenge was to seamlessly integrate manuscripts from various project teams into a cohesive project and narrate the story of World Vision's 70-year history. We designed layouts with meticulous attention to detail, incorporating the 'BUILD' conceptual ideas, and infused meaning into the project concept with visually engaging elements.
Aseḥbiber
World Vision, born in the ruins of the Korean War, has compiled its diverse projects into a single book. The goal is to reflect on the history of the past 70 years and provide basic information in an easily understandable way, even for those unfamiliar with World Vision. Each project aims to serve as a medium for experiencing a design that is both simple and interesting, avoiding monotony while enhancing awareness.
Tanzagt n Usenfar
This project commenced in August 2021 in Seoul, South Korea, and concluded in February 2022. The content produced during this period has been distributed to customers since March 2022.
Tanila n Umahil
The target audience is corporate and institutional PR managers. The goal is to engage their interest in World Vision's activities that have been a part of our lives for the past 70 years, focusing on assistance to children and their local communities. The material includes a booklet and a summary leaflet, with the leaflet having undergone three additional printings to continuously introduce it to a wider audience. This book serves as a valuable opportunity to establish the footprint and history of World Vision in the past seventy years.
Igmamen n Terbaɛt
Creative Director : Sun-nam Kim
Creative Director : Yun-sik Son
Designer : Bommina Choi
Designer : Hye-ryun Jung
Planning : Su-jin Bang

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Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

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