Emotion Protocol Asbeddi Amusnik sɣur Zhenglong Yang

Emotion Protocol Asbeddi Amusnik sɣur Zhenglong Yang d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Usbeddi.

UzzalAsbeddi· 2025

Emotion Protocol Asbeddi Amusnik

sɣur Zhenglong Yang

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Asbeddi

15,018

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #165874

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Emotion Protocol Asbeddi Amusnik

Emotion Protocol d asbeddi amusnik yesɛan deqs n yiqerruy n Buddha s rebɛa n wudmawen yettwazgaren ɣef tmasnin n tuzzya. Yal aqerruy, yettwasusmen s tneqqiṣt n lmendus abudist aqbuṛ, yesɛa amutur i s-yeǧǧan ad yezzuy s talɣa yettwaheggan. Amussu yemṣadan n yiqerruy yesseḥdas askan amaynu amusnik, yesselɣu amgirred gar telɣa tiɣerfanin d tmekanikit tatrart.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Emotion Protocol Asbeddi Amusnik d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Emotion Protocol Asbeddi Amusnik ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: "Emotion Protocol" juxtaposes human nature's emotional complexity with the rigid, machine-like existence imposed by societal and familial expectations. The installation represents this contrast through rotating four-faced Buddha statues driven by a mechanical system.
Tigejdiwin & Akemmus: 457.2(W), 457.2(D), 1100(H) cm
Tibzimin: Kinetic, Installation, Buddhism, Four-face Buddha, Emotion
Tasnakta n Ufares: This project features 3D-printed Buddha heads crafted in resin, CNC-milled acrylic pedestals for elegant structural support, and a customized PCB(printed circuit board) for precise control of stepper motors. The algorithm, programmed and integrated into the control system, orchestrates the kinetic movements, embodying emotional narratives. Leveraging physical computing, the design merges technology and artistry, ensuring a seamless integration of hardware and conceptual intent.
Asewḥel n Usnulfu: The biggest challenge was balancing the symbolic depth of the four-faced Buddha with the mechanical precision of the installation. Integrating spiritual iconography into a technological framework required extensive research into cultural narratives and emotional theory. Technical hurdles included designing custom PCBs and achieving seamless motor synchronization for dynamic storytelling. Limited resources for advanced fabrication and algorithm testing added complexity, pushing innovation in blending tradition with modern design methodologies.
Anadi: The four-faced Buddha symbolizes the interconnectedness of human emotions—joy, anger, sorrow, and happiness. In this work, the rotating faces represent shifting emotional states, blending ancient philosophies with modern discussions on emotional suppression, societal expectations, and mechanized behavior. This reinterpretation highlights the universality of emotions, encouraging viewers to reflect on their own emotional landscapes.
Aseḥbiber: Inspired by the Chinese saying "joy, anger, sadness, happiness," which poetically represents human emotions, and the Buddhist four-faced Buddha statues, this piece fuses traditional symbolism with programmed mechanisms. It reflects the tension between humanity's rich emotional landscape and the societal pressures, particularly in East Asian cultures, to suppress and eliminate subjective emotions. This conflict pushes individuals into a mechanized existence, where they become tiny parts of a vast collective machine, bound by rules and protocols to meet the expectations of family and society.
Tanzagt n Usenfar: The project started in September 2024 in New York and finished in December 2024 in New York, and was exhibited in RacketNYC in December 2024.
Tanila n Umahil: This project invites viewers to observe rotating Buddha heads, each with four faces representing different emotions. The heads rotate in pre-programmed patterns, symbolizing shifting emotional states. The interaction is passive yet thought-provoking, viewers reflect on the emotions represented. The synchronized motion creates a mesmerizing flow, highlighting the tension between human feelings and mechanical precision, making it uniquely engaging and impactful.
Imsuren n Tugniwin: Photo credits: Audrey Chou