Bellamy Sans Tasefsit n yisekkilen sɣur Paul Robb and Moira Bartoloni d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Unuɣ, Tugna d Teywalt Tamulant.
LfeṭṭaUnuɣ· 2025
Bellamy Sans Tasefsit n yisekkilen
sɣur Paul Robb and Moira Bartoloni
Amsaɣ: S6 Foundry
Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Unuɣ
Anerbaz n Urraz Yettwasenqden
Senqed Addad n Urraz i #167745Afeṣṣel
Ɣef Bellamy Sans Tasefsit n yisekkilen
Bellamy Sans d tasefsit n yisekkilen tanarurant war tiberkanin i yettɛawaden tikti n uɣanib agrugtes s tallest tatrart, tanarurant. Tezga-d deg tmurt n tira taswisrit, tetṣuɣu tamezgida tagejdant n talwinit skud tessekcem asenmal aṭris i tkluḍt i d-yettawin i tsefsatin tiqburin timeslayin. Amgirred abacaw d tsedarin i yettwabnan s lɛinaya ttaǧǧan i tsefsit-a tacebbaḥt n talɣa yuman d tageldit, s useḥbiber i d-yetteffɣen war asuter i usegmu ur nesḥa.
Asmekti
Ɣef Tarbaḥt A' Design Award n Lfeṭṭa
Bellamy Sans Tasefsit n yisekkilen d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Bellamy Sans Tasefsit n yisekkilen ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.
Deffir n ufeṣṣel
Tagrurt n tɣamsa
Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.
- Taɣara Tasuft
- Bellamy Sans is a contemporary sans-serif typeface that reimagines the grotesque style with a refined, modern sensibility. Rooted in the tradition of Swiss typography, it maintains the core principle of neutrality while softening the rigidity often associated with classic grotesques. Its subtle contrast and carefully shaped curves lend it an understated elegance—minimalist yet expressive, free from superfluous ornamentation.
- Tigejdiwin & Akemmus
- The book is 120 pages, with the first section demonstrating the robustness of the font in use, the back pages are dedicated to the individual weights and glyphs.
- Tibzimin
- Type design, Typeface, Specimen
- Tasnakta n Ufares
- The font was digitally created and supported by over 200 Latin languages. The cover was printed onto a recycled board, the internal pages onto 150gsm recycled paper and the book was hand-sewn.
- Asewḥel n Usnulfu
- The primary challenge of this research lies in exploring how the utilitarian principles of historical grotesque typefaces with the nuanced sophistication of contemporary typography. It required addressing how typographic neutrality, clarity, simplicity, and versatility concepts can be reinterpreted through humanistic forms without compromising their functional essence. Additionally, the research must investigate how subtle design refinements can contribute to the evolution of modern typographic practices while honoring historical influences.
- Anadi
- This research investigates the design philosophy and developmental process behind the font and explores how Bellamy Sans bridges the gap between the minimalist, utilitarian principles of historical grotesques and the nuanced sophistication of contemporary typography. Central to its design is typographic neutrality, emphasizing clarity, simplicity, and versatility. However, Bellamy Sans reinterprets these qualities through a more humanistic lens, introducing subtle refinements that balance mechanical precision with organic warmth. This research highlights the typeface’s role in evolving modern typographic practices, offering insights into how historical influences can be harmonized with contemporary design needs.
- Aseḥbiber
- The inspiration behind Bellamy Sans stems from a desire to bridge the gap between the functional clarity of mid-20th-century grotesque typefaces and the nuanced sophistication of contemporary design, embracing the idea of typographic neutrality—prioritizing clarity, simplicity, and versatility while reinterpreting these qualities with a more humanistic approach. The typeface was conceived to soften the rigidity often found in classic grotesques.
- Tanzagt n Usenfar
- The initial designs were designed in November 2023 with the digital font launched in September 2024.
- Tanila n Umahil
- The Specimen book was sent to the first ten companies that ordered the complete family.
- Igmamen n Terbaɛt
- Paul Henry Robb
Moria Bartoloni - Imsuren n Tugniwin
- Paul Henry Robb
Yettwaxellṣen
Snirem Seld Designers.org
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