Confucius Aesthetics Tarrayt n Tewlafiwin sɣur Chunli Zhou

Confucius Aesthetics Tarrayt n Tewlafiwin sɣur Chunli Zhou d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Unuɣ, Tugna d Teywalt Tamulant.

UzzalUnuɣ· 2025

Confucius Aesthetics Tarrayt n Tewlafiwin

sɣur Chunli Zhou

Amsaɣ: Zhou Chunli

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Unuɣ

11,054

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #167963

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Confucius Aesthetics Tarrayt n Tewlafiwin

Confucius Aesthetics d tarrayt n tewlafiwin i d-yettwaxedmen akken ad d-ssedhemen azal n usentel n Confucius. Tarrayt-a tesqedac tugniwin s wallal akken ad d-tessefk ixarrisen am tanefrot n tmurt, tummant n tmetti, tigejda akked leḥmala n tmurt. Tugniwin tiqburin tiynisiyin n zhu n lxir, deg-sent laṭas n bronze, tiɛeqqiwin n jade, tafenniqt (phoenix), asigna n lxir akked yiziker, ttwaskufsent akken ad d-frent lḥebs uffiɣ n yal tugna. Tuɣaliwin-a ttwaxedmen s uselkim n usiwel n tugniwin, syen ttwasiggzent s yini imeqqranen. Tarrayt-a tebɣa ad tɛawen ɣef uɣur akked usbedday amasay n usentel aqbur.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Confucius Aesthetics Tarrayt n Tewlafiwin d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Confucius Aesthetics Tarrayt n Tewlafiwin ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Through the review of a large number of literature and books, the use of figurative design techniques, the use of ancient Chinese auspicious elements, to assist the visual interpretation of Confucius aesthetic thought of prosperity, equality, prosperity, rule of law and patriotism.
Tigejdiwin & Akemmus: Printing illustrations:800mm(H)x800mm(W)(sheet size), Data size:1800mm(H)x1800mm(w),300dpi,developed and utilized. This design redesigns and cmyk.
Tibzimin: Illustration design, Confucius aesthetic view, Artistic interpretation, Values, Traditional culture
Tasnakta n Ufares: This set of illustrations is drawn by the Procreate software. It is made with a high level of printing and manufacturing techniques to show beautifully illustrated details with rich colors.
Asewḥel n Usnulfu: Transforming abstract ideas into concrete images is a complex and long process. Finally, the Analects of Confucius, which records the life and deeds of Confucius, was selected as an important reference, and images were combined according to relevant contents.
Anadi: This design is designed to promote Confucius' aesthetic values. Metaphical design techniques are used to visualize Confucius's aesthetic ideas. At the same time, the artistic combination of auspicious cultural images such as bronze ware, jade pendant, phoenix, auspicious cloud and elk is realized. The whole illustration series has outstanding cultural connotation, strong visual influence, and has the value of historical and cultural inheritance and artistic promotion.
Aseḥbiber: The aesthetic value of Confucius and Confucianism is a unique aesthetic paradigm in traditional Chinese culture. Its benevolence, perfection, and neutrality are the core source of its aesthetic principles. Nowadays, while economic growth, people are more inclined to explore spiritual nutrition from traditional culture. The illustration design of Confucius' aesthetic values can promote its artistic dissemination.
Tanzagt n Usenfar: The project Started in February 2023 in Guiyang, China, and was completed in June 2023 in Shenyang, China.
Tanila n Umahil: First of all, we refined the aesthetic value of Confucius, and chose the content of Confucius's aesthetic thought, such as national prosperity, national harmony, everyone is equal, and love for the country. Then, the metaphorical design method is used to describe the connotation of Confucius' aesthetic view, and finally, the auspicious elements are combined to form the outer frame part of the illustration. The illustrations throughout the series show an artistic image of change and unity.