Ɛeddi ɣer ugbur
Curved Akursi sɣur Beijing Forestry University

Curved Akursi sɣur Beijing Forestry University d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Iferrasen.


LfeṭṭaIferrasen· 2025

Curved Akursi

sɣur Beijing Forestry University

Amsaɣ: Beijing Forestry University

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Iferrasen

49,751

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #168296

Initen

Afeṣṣel

Ɣef Curved Akursi

Curved d akursi yettwaxedmen s urutin agamanan n Tandunisya. Afeṣṣel-is isdukkel tawennaḍt taqburt n uẓeṭṭa n urutin akked tcebbuḥt tatrart. Ijerriḍen ikerciwen ileggaɣen n urutin smektayen-d idurar d waman iceṛcuṛen n unuɣat n lḥibr iqburen n Ccinwa. Talɣa-s tettwaxdem s ufus s ufran n wallal, aseḥmu s wabbux, aknu s wurɣu, asileɣ, asemseḍ akked ussirem. Tiddi n imeṭṭafen n iɣallen, arkad n iḍarren akked tkerciwin n umkan n uɣimi d usenned ḍefrent tazrawt n tergunumit yerna refdent tagerjumt d weɛrur. Akursi-a yesɛa 630 s 850 s 900 n imilimitren, yerna yelha i daxel n wexxam d beṛṛa.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Curved Akursi d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Curved Akursi ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
This aesthetically pleasing and practical curved chair is made of understated, pliable natural rattan. It subtly marries traditional rattan weaving craftsmanship with modern aesthetics to highlight the liveliness and grace of mountains and water through smooth curved rattan, conveying a peaceful attitude towards life and a profound philosophy of life. Moreover, the chair designed based on ergonomics improves comfort of use while ensuring visual appeal.
Tigejdiwin & Akemmus
630mm*850mm*900mm
Tibzimin
rattan weaving craftsmanship, modern design, natural material, high mountains and flowing water, an integration of traditional and modern elements
Tasnakta n Ufares
This chair adopts premium Indonesian rattan that is waterproof, durable, and pliable with a soft luster and unique textures, achieving a refined style and rich visual effects. The superb techniques are used in material selection, steaming, hot bending, shaping, polishing, painting and other multiple manual processes, which equip each finished product with delicate details, a comfortable touch, and good load bearing performance, bringing visual and tactile enjoyment for a better user experience.
Asewḥel n Usnulfu
The challenge was how to integrate the natural material, traditional craftsmanship, and modern aesthetics. To address that, the design team, breaking away from stereotyped designs in rattan furniture, has created a new rattan chair form by using minimalistic, dynamic curves to mimic the soft and graceful brushstrokes in Chinese landscape paintings. The product, while pursuing visual appeal, takes into account comfort and stability, striking a balance between aesthetics and functionality.
Anadi
Rattan is pliable and expressive. Thus, rattan chairs can showcase natural flowing dynamism through the ingenious combination of rattan lines. This product marries traditional rattan weaving craftsmanship with modern design concepts, which utilizes the natural material to reproduce the ethereal mountains and water in Chinese ink paintings. As a result, it achieves a simple yet elegant aesthetic, able to harmonize with various indoor and outdoor environments.
Aseḥbiber
The chair, inspired by high mountains and flowing water in traditional Chinese ink paintings, utilizes understated, pliable natural rattan to outline rolling mountains and flowing water through smooth curves, bringing to mind a lively, graceful, and magnificent scene of mountains and water intertwined. This not only creates a serene atmosphere for users to relax, but also embodies a perfect fusion of cultural inheritance and modern innovation.
Tanzagt n Usenfar
The project started in Beijing in January 2024 and completed in June 2024.
Tanila n Umahil
The rattan chair prioritizes user experience and makes optimization based on ergonomics. It features fluid lines and is meticulously polished to offer a delicate, smooth touch. The height of the armrests, the stability of the legs, and the curvatures of the seat and the backrest have all undergone numerous tests. In this way, the chair can perfectly fit the human body and provide excellent support for the waist and back, while also boasting high stability, ensuring a comfortable experience.
Igmamen n Terbaɛt
GongWei

Yettwaxellṣen

Snirem Seld Designers.org

Af-d iferdisen, imeẓla d tegnatin sɣur yimɛawnen-nneɣ n usissen.

Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

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