Ɛeddi ɣer ugbur
Field Notes Asumer Aɣerman sɣur Seraphina Sol

Field Notes Asumer Aɣerman sɣur Seraphina Sol d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Unuɣ, Tugna d Teywalt Tamulant.


UzzalUnuɣ· 2025

Field Notes Asumer Aɣerman

sɣur Seraphina Sol

Amsaɣ: Seraphina Sol

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Unuɣ

15,204

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #169388

Initen

Afeṣṣel

Ɣef Field Notes Asumer Aɣerman

Tizmilin n Yiger d asenfar yeggten ɣef ummesten i d-yessumeṛen iferdisen n tegama i d-yettwaččuren, yessiɣzizen imɣan iɣerfanen d yiferfiren seg tmura tiɛeqqlanin. Yal talɣa tettwaɛqel s teɣṛa s lecɣal d tettwaru s usemɣer, tettwazweǧ yal taɣawsa seg iɣsan n teqejjirt alamma d tineɣmas n yifrawen n ufertatu. Tarrayin n usumer usnan azerfan ttuseqdacent i wakken ad d-ttwarunt telɣiwin, syin ttwaskerment s tutrunt akken ad nernu tuli d tefrawant. S teswiɛt n tsedqiq n tmuzga n umezruy agaman, asenfar-a yettmuddu-d tamuɣli taqribt n telɣiwin-a d wayen sxedment deg twennaḍt.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Field Notes Asumer Aɣerman d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Field Notes Asumer Aɣerman ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
Botanical illustration was once a crucial skill for documenting plant species, but it is becoming less common in today’s fast-paced, digital world. The collection of black line illustrations revisits the practice of careful observational drawing, making it relevant and accessible in both print and digital formats.
Tigejdiwin & Akemmus
3600 x 3600 pixels, 300dpi, RGB.
Tibzimin
Illustration, Botanical, Nature, Education, Exhibition, Art, Science, Conservation, Envrionmental.
Tasnakta n Ufares
Initial illustrations were rendered in ink, then refined digitally. The final illustrations were printed on handmade, 100 percent recycled cotton paper embedded with wildflower seeds. They have been showcased in various print and digital formats across museums, gardens, and exhibits.
Asewḥel n Usnulfu
A key challenge was illustrating dried, pressed plant specimens from museums, as they lose texture and depth once preserved. Capturing their true form while maintaining accuracy required careful observation and creative interpretation.
Anadi
The aim was to capture the beauty of moths and plants, blending detailed scientific illustration with a more artistic-design approach. The process involved field research, collecting specimens, and carefully studying their details before translating them into hand-drawn sketches, which were then refined digitally.

By showcasing these organisms through both a scientific and creative lens, the project encourages viewers to connect with the natural world, reflect on its beauty, and inspire its preservation.
Aseḥbiber
The often overlooked details in nature, such as the shape of a leaf or the texture of a stem, are brought into focus through these illustrations. With the aim to foster a deeper appreciation for the natural world, the project depicts the beauty and complexity of plant life. Inspired by herbaria and natural history museums, the project strives to document botanical specimens accurately and preserve a record for future studies. By combining traditional and digital techniques, the illustrations highlight the importance of these plants and encourage efforts to protect and preserve them.
Tanzagt n Usenfar
Since 2020, the illustration project has been exhibited across Canada, following research at institutions, botanical gardens, and various museums.
Tanila n Umahil
Designed to engage both academic and general audiences as educational guides, exhibition pieces, and visual assets for digital and printed media.
Ibrivan
Copyrights belong to Seraphina Sol, 2025. All rights reserved.
Igmamen n Terbaɛt
Seraphina Sol
Imsuren n Tugniwin
Image #1: Seraphina Sol, 2025.
Image #2: Seraphina Sol, 2025.
Image #3: Seraphina Sol, 2025.
Image #4: Seraphina Sol, 2025.
Image #5: Seraphina Sol, 2025.

Yettwaxellṣen

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