Ɛeddi ɣer ugbur
The Galimberti Akataluɣ n uskan sɣur Timea Andorka

The Galimberti Akataluɣ n uskan sɣur Timea Andorka d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Umagrad d Umidya Yettwaɣran.


UzzalAmagrad· 2025

The Galimberti Akataluɣ n uskan

sɣur Timea Andorka

Amsaɣ: Timea Andorka

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Amagrad

37,898

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #169765

Initen

Afeṣṣel

Ɣef The Galimberti Akataluɣ n uskan

Amaḍal agrafik n ukataluɣ n uskan yettwasmel s tudert yedduklen kwaṭ n yimakaren n teẓrigin (Valeria Denes akked Sandor Galimberti) i yemmuten smeɣren deg 1915. Aseqdec n tligatirin tudlisin deg tipugrafya yesken-d s tefses taqqunt tameɣrut taǧehdit i yerran amahil n yimakaren-a yettwadmanen d amahil yettwabḍan. Adlis-a yeffeɣ-d deg sin n yiḍ̂efraren yemgaraden, s teglizit d s tehungarit. Iqebyen n uzeṭṭa ttuḥerzen s tkerrust n usewwaq i izemren ad yeldi ɣer upusṭer, lqem ahungari yesɛa taẓrigt n Valeria Denes, lqem s teglizit yesɛa taẓrigt n Sandor Galimberti.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

The Galimberti Akataluɣ n uskan d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. The Galimberti Akataluɣ n uskan ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
The graphic world of the catalogue was inspired by the closely intertwined lives of the painting couple (Valéria Dénes & Sándor Galimberti) who died young in 1915. The use of individual ligatures in the typography subtly illustrates the strong human connection that made the work of this tragic couple a shared oeuvre.
The oeuvre is largely lost, which is why no such comprehensive catalogue has been produced until now. The graphic challenge was to present this fragmentary oeuvre in a dignified and monumental way.
Tigejdiwin & Akemmus
230 × 290mm, 372 pages, hardcover book, cloth covered, gold foil stamped, with dust jacket
Tibzimin
book, catalogue, exhibition, editorial design, paintings, blue, gold, fine art,
Tasnakta n Ufares
The book was published in two separate volumes, in English and Hungarian. We chose a linen binding because both painters preferred this type of canvas, which has a finer weave. The cloth-bound covers are protected by a dust jacket that can be opened into a poster, the Hungarian edition featuring a painting by Dénes Valéria, the English edition by Sándor Galimberti. Only the name is stamped on the blue canvas with gold foil, so that this simplicity highlights the colourful and exciting details of the paintings on the dust jacket.
Asewḥel n Usnulfu
To express the close relationship between the two painters, we searched for months for the perfect serif font, which has enough ligature. We couldn't find one, so I created our own set of ligatures for the catalogue, based on the Modelista font.
Anadi
Often, even contemporaries could not tell which of the two painters painted which painting. Today's scientific research, led by curator Gergely Barki, has sought to unravel the differences and to place the two painters in the Hungarian and international canon in the context of a lifetime exhibition. The result of this research is the catalogue, which presents even richer research material than the exhibition in the Hungarian National Gallery.
Aseḥbiber
“These two people were like two tall, slender trees, growing up straight side by side, without bowing to each other, without depriving each other of sunlight.” (Jolán Simon)
Tanzagt n Usenfar
THE GALIMBERTI. The Lives and Works of Sándor Galimberti (1883–1915) and Valéria Dénes (1877–1915) exhibition
10 October 2024 – 23 February 2025, Hungarian National Gallery, Budapest
Tanila n Umahil
We wanted to please visitors with a removable poster of the book. So that they could take home reproductions of the most important paintings at a larger scale than the book, in almost original aspect ratio.
Ibrivan
graphic design © Timea Andorka, 2024
text © Gergely Barki, 2024
© Museum of Fine Arts – Hungarian National Gallery, Budapest, 2024
Igmamen n Terbaɛt
graphic design: Timea Andorka
Imsuren n Tugniwin
© Timea Andorka, 2025

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Af-d iferdisen, imeẓla d tegnatin sɣur yimɛawnen-nneɣ n usissen.

Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

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