Designtide Tokyo 2024 Timagit n tmaṛkit sɣur There There - Kazune Watanabe

Designtide Tokyo 2024 Timagit n tmaṛkit sɣur There There - Kazune Watanabe d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Ddheb deg Taggayt n Tnaflit n Afeṣṣel n Unuɣ, Tugna d Teywalt Tamulant.

DdhebUnuɣ· 2026

Designtide Tokyo 2024 Timagit n tmaṛkit

sɣur There There - Kazune Watanabe

Amsaɣ: Designtide Tokyo Committee

Anerbaz n Tarbaḥt A' Design Award n Ddheb deg Taggayt n Unuɣ

100,429

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #174524

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Designtide Tokyo 2024 Timagit n tmaṛkit

Designtide Tokyo d tadyant n usuneɣ n uskan d isufar i inadin yerna ibeṭṭun ineflisen imaynuten deg usuneɣ n ufaris d yigburen yeqqnen ɣur-s. S usuneɣ, i d-yesnulfu tarmit tammewwelt n tezmert d ummuɣ nnig n usaɣul umḍin. Yeḍra seg 2005 ar 2012, ibeṭṭu idles n usuneɣ seg Tokyo d umaḍal. Yal aseggas, azal n 50 n yimsuneɣ yettwanecden yerna yettwafernen skanen leqdicat i yefkan azal i tsunaḍt sennig tesnigmert. Deg 2024, Designtide Tokyo yuɣal-d s telṛugat tamaynut d twala yettwasmiren.

Asmekti

Ɣef Tarbaḥt A' Design Award n Ddheb

Designtide Tokyo 2024 Timagit n tmaṛkit d amerbaḥ n Tarbaḥt A' Design Award n Ddheb, tagmat tuffirt i yisnulfa n umezwaru yelhan s waṭas. Imerbaḥen n Ddheb d isnulfa d imaynuten d imeqqranen. Designtide Tokyo 2024 Timagit n tmaṛkit ad d-yefk lqima ur nesɛi amgarad, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: "Designtide Tokyo" was originally held from 2005 to 2012 and introduced Tokyo design to the world. It supported many designers who later gained international recognition. In 2024 the event was revived with a new visual identity. In a society driven by trends and empathy, the new identity needed strong impact and interactivity. The graphics change in response to viewer movement such as approaching moving away or sliding. This behavior reflects the motion of tides.
Tigejdiwin & Akemmus: Main Graphic Materials Wood Acrylic Fabric
Size 2 meters 5 centimeters by 10 meters
Printed Materials Poster Paper Plastic Sheet
Size A2
Technical Characteristics Digital expression reproduced through analog methods without electronic components
Tibzimin: Graphic, Tide, Tokyo, Design, Animation
Tasnakta n Ufares: The graphics use scanimation also known as slit animation. Movement appears only when viewers change their position or distance. No digital screens or electronic components are used. By carefully adjusting slit pitch and base imagery the work expands beyond simple animation into a more complex interactive experience. Materials include wood acrylic fabric and paper. Acrylic used at the venue was later reused.
Asewḥel n Usnulfu: The challenge was to create an interactive identity that changes according to user behavior without using digital technology. Scanimation normally allows only limited frame movement. By refining slit pitch and carefully designing the base imagery we transformed this simple technique into a complex responsive visual system that encourages physical engagement.
Anadi: From the 1990s to the early 2000s Tokyo hosted many influential design events. In recent years these opportunities have declined and large collective movements have become rare despite the spread of social media. "Designtide Tokyo 2024" was launched to renew this culture. Held in November 2024 in Tokyo it welcomed more than 6000 visitors and aimed to initiate a new movement in Japanese design.
Aseḥbiber: "Designtide" refers to a major movement in design. Tides are created by the gravitational force of the moon. Natural forces alone create only surface movement. The aim of this project was to build a strong movement from the ground up. In an era shaped by social media and individual presentation, this graphics created based on the concept of tides for a major design event in Tokyo.
Tanzagt n Usenfar: Venue Nihonbashi Mitsui Hall Chuo ku Tokyo Japan
Dates November 27 to December 1 2024
Tanila n Umahil: The project uses scanimation to let visitors experience a major movement in design. Each graphic responds to viewer actions such as approaching moving away or sliding. The image changes depending on distance and motion. This system expresses how individual gestures can create a larger collective flow. Small personal actions combine to form a powerful tide of change.