Intelligent Creativity Forum Timagit Tazrayant sɣur Yuxin Feng

Intelligent Creativity Forum Timagit Tazrayant sɣur Yuxin Feng d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Unuɣ, Tugna d Teywalt Tamulant.

LbrunzUnuɣ· 2026

Intelligent Creativity Forum Timagit Tazrayant

sɣur Yuxin Feng

Amsaɣ: Nanjing University of Finance & Economics, School of Art & Design

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Unuɣ

8,137

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #180259

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Intelligent Creativity Forum Timagit Tazrayant

Intelligent Creativity Forum d timagit tazrayant i yettwaxelqen i uɣerbaz n tẓuri d ufeṣṣel. Timagit tebna ɣef yisekkilen D d I, i yettwafernen syen ttwasdukklen-d di talɣa tanzeggant tudmawant. Iferdisen mseḍfaren ɣef yiwet n tnila n 45 n tfesniwin, ɣef leḥsab n tmusni tazegzawt n lebni. Asdukkel n tissiwin yessefruruy-d urar n telt tsektiwin gar wayen iččuren d wayen ilmawen. Talɣa ur nemsawa ara temmal-d asdukkel gar tigzi tumḍint d uxemmem asnulfan. Yiwet n tkerrist tuddist tettḥaraz anagraw yeddukkel, ma d taẓuri tanmalant tettwasnes ɣef yikaɣiḍen n unekcum, tibadjiwin, ifularen n leḥrir d yidfaftaren.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Intelligent Creativity Forum Timagit Tazrayant d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Intelligent Creativity Forum Timagit Tazrayant ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Intelligent Creativity Forum Timagit Tazrayant yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Centered on the initials "D" and "I", this design constructs a dynamic geometric form through deconstruction and recombination. The unique 45-degree staggered layering creates a 3D interplay of positive and negative space. Transcending standard letterforms, this asymmetrical structure serves as a powerful metaphor for the innovative fusion of digital intelligence and creative thinking.
Tigejdiwin & Akemmus: The visual system are designed in vector format to make it suitable for different sizes of digital and printed media.
Tibzimin: Digital、Intelligence、Creativity、Visual identity
Tasnakta n Ufares: Graphics are adapted in various scenarios, such as work passes, badges, silk scarves, notebooks, etc. The process involves foil gold, silk, UV printing, etc.
Asewḥel n Usnulfu: Internal Challenge: The primary obstacle was balancing abstract symbolism with legibility. We needed to visualize the weight of "New Quality Productive Forces" without using generic tech clichés, ensuring the deconstructed "D" and "I" remained recognizable.
External Challenge: Technically, the 45-degree isometric geometry posed alignment issues. Achieving a seamless interplay of solid and void required complex optical corrections. We overcame this by developing a rigorous modular grid, ensuring the "dynamic instability" remained structurally coherent across all media scales.
Anadi: We conducted qualitative visual research to redefine "Digital Intelligence." Analyzing global tech trends, we found traditional typography lacked dynamism. Using morphological analysis and digital prototyping tools, we tested various modular structures. Results indicated that static forms failed to convey "fusion," whereas a 45-degree staggered system created unique 3D depth. The key insight is that controlled instability generates visual attention. This identity effectively differentiates the brand in the commercial market, communicating complex innovation through simple, memorable geometry.
Aseḥbiber: Driven by the blurring lines between the digital and physical, we aimed to transcend static forms. The design draws from architectural isometry, using a 45-degree axis to represent innovation. Our goal was to visualize "New Quality Productive Forces" through a dynamic balance of solid and void, turning abstract code into a living structure.
Tanzagt n Usenfar: The project starts in July 2024 and ends in August 2024 in Nanjing, China
Tanila n Umahil: Think of this logo as a dynamic structure rather than a static image. It operates by slicing the letters "D" and "I" into modules. The transformation occurs along a 45-degree axis, where parts slide and overlap like a precise puzzle. Keyframes capture the shift from flat shapes to a 3D illusion of depth. This interaction visualizes the "fusion" of data and creativity. It offers superior performance because its flexible, modular nature adapts perfectly to both digital screens and physical prints.
Imsuren n Tugniwin: Yuxin Feng，2024