Constructing The Intangible Asuneɣ Asnamak sɣur Yuanying He

Constructing The Intangible Asuneɣ Asnamak sɣur Yuanying He d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Unuɣ, Tugna d Teywalt Tamulant.

UzzalUnuɣ· 2026

Constructing The Intangible Asuneɣ Asnamak

sɣur Yuanying He

Amsaɣ: K3ntiv3

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Unuɣ

7,885

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #181673

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Constructing The Intangible Asuneɣ Asnamak

Abnu n Wayen Ur Nettwaṭṭaf ara yettnadi ɣef wakti am ubennu mačči am uḥraz. Yeddem-d tikti seg rriḥa ifennun n yijeǧǧigen n pomelo n temẓi, axeddim-agi yesseqdac iferdisen n lebni am yiɣezfan, tiɣmas, akked teskaliwin yeɛwjen iwakken ad d-yebeggen taɣessa n usmekti. Akti yettwabeggen-d am tigawt yermeden i usdukkel n yiḥricen n wayen iɛeddan iwakken ad yebnu timagit n tura. S tutlayt taɣessant yeɛqel, taxxamt-agi tettbeddil tarmit n tɣiwect ur nettwaṭṭaf ara ɣer talɣa tasdawant tbanen.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Constructing The Intangible Asuneɣ Asnamak d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Constructing The Intangible Asuneɣ Asnamak ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Constructing the Intangible explores the architecture of memory. This artwork examines how sensory fragments, specifically the ephemeral scent of the past, are reorganized. Memory is presented not as static preservation, but as an active secondary rendering shaped by narrative coherence. Utilizing a structural language bridging nature and architecture, the design transforms intangible sensory experiences into visible forms. Past fragments serve as scaffolding to support selfhood.
Tigejdiwin & Akemmus: High-resolution digital artwork.
Dimensions: 3600 x 3600 pixels.
Color space: RGB.
Format: Digital illustration suitable for print and screen display.
Tibzimin: memory reconstruction, olfactory memory, architectural metaphor, narrative identity, secondary construction, spatial abstraction, sensory memory, autobiographical memory
Tasnakta n Ufares: The artwork was created using digital illustration techniques. A structured grid-based composition system was applied to organize spatial elements. Layered vector and raster rendering methods were combined to achieve depth and architectural precision. The visual system references drafting language and construction schematics to reinforce the conceptual framework.
Asewḥel n Usnulfu: The primary challenge was translating an invisible and ephemeral sensory experience into a coherent spatial structure. The work avoids literal representation of scent and instead constructs a layered architectural system to express memory reconstruction. Balancing structural precision with emotional ambiguity required careful control of composition, grid systems, and visual hierarchy.
Anadi: This project explores autobiographical memory reconstruction through visual metaphor. Drawing from narrative identity theory and cognitive psychology, it investigates how memory is not a fixed recording but an active reconstruction shaped by perception and storytelling. Olfactory memory, particularly childhood scent associations, serves as an anchoring mechanism to translate intangible sensory recall into spatial and architectural language.
Aseḥbiber: The inspiration originated from a simple observation: describing a dream after waking is already an act of secondary representation and reconstruction. The cool scent of pomelo blossoms from childhood serves as a sensory anchor. This fleeting memory is deconstructed into an orderly “construction site”. Cranes, grids, and misaligned staircases symbolize the subtle imperfections and ongoing rebuilding inherent in human recollection.
Tanzagt n Usenfar: The project was conceptualized and completed in February 2026 in Shenzhen, China.
Tanila n Umahil: The viewer engages with the artwork through visual navigation. Misaligned staircases, cranes, and grid structures guide the eye toward a central focal point, mirroring the cognitive process of memory reconstruction. The interaction is interpretive rather than functional, inviting reflection rather than instruction.
Ibrivan: This project is an original conceptual artwork created by the artist. It is not associated with any registered patents or trademarks. All intellectual property rights belong solely to the artist.
Imsuren n Tugniwin: All visual elements, illustrations, and conceptual content in this project are original works created solely by the artist. No third-party materials, stock images, templates, or external visual assets were used in the creation of this work.