Ɛeddi ɣer ugbur
Forest Spring Asemsel n Tqerɛet n Waman sɣur Sheng Jin, Chao Yang and Wenqi Wu

Forest Spring Asemsel n Tqerɛet n Waman sɣur Sheng Jin, Chao Yang and Wenqi Wu d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ukemmus.


LbrunzAkemmus· 2026

Forest Spring Asemsel n Tqerɛet n Waman

sɣur Sheng Jin, Chao Yang and Wenqi Wu

Amsaɣ: Communication University of Zhejiang

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Akemmus

5,960

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #182441

Initen

Afeṣṣel

Ɣef Forest Spring Asemsel n Tqerɛet n Waman

Forest Spring d asemsel i waman yettwaseqrɛen. Taneffust-is tebna ɣef usekkil ašinwa sen, i yesɛan anamek n teẓgi, i yuɣalen d tugna n umeddur s lḥibr. Iberdan n tira tucbiḥt, abeddel n yiniten akked umgired n tallunt ttarran-d idurar, isekla akked tezmert n ugama deg yiwet n talɣa. Taseddast tettwaṣeggem s talɣa n vektor yerna tettwaheggen i wesɣim n usiggez yemtawan. Taqerɛet tafrawant tettawi 500 n imilulitren yerna ɣur-s tamdelt yettwaldin s tuzzya. Asemsel-agi yessken-d tezdeg akked temsetla gar yemdanen d ugama.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Forest Spring Asemsel n Tqerɛet n Waman d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Forest Spring Asemsel n Tqerɛet n Waman ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Forest Spring Asemsel n Tqerɛet n Waman yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
The chinese character "sen" (forest) symbolizes forest and nature. This design transforms the character into a chinese ink landscape, using brushwork and spatial contrast to evoke mountains and vitality. Rooted in the philosophy of harmony between humanity and nature, it expresses ecological coexistence and reflects the pure, natural essence of "forest spring."
Tigejdiwin & Akemmus
bottle 65 mm diameter x 210 mm height, 500 ml capacity, neck 28 mm pco 1881
material food grade pet, wall thickness 0.25 to 0.35 mm
label area 190 mm x 60 mm wrap around
cap hdpe tamper evident
net weight 12 to 14 g bottle, 2 g cap
secondary package 400 mm x 270 mm x 220 mm, 24 bottles per corrugated carton
Tibzimin
Chinese character design, forest symbolism, water ink landscape, typography innovation, eco-conscious branding
Tasnakta n Ufares
The design was realized through structural deconstruction of the character "sen," examining stroke proportion and spatial hierarchy to reconstruct it as a landscape form. digital ink-wash simulations replicated xuan paper diffusion and tonal gradation. The composition was refined in vector format for scalability and brand application, then color-calibrated with cmyk optimization to ensure consistency across print and packaging production.
Asewḥel n Usnulfu
The main challenge was transforming the Chinese character "sen" into a visually compelling landscape while preserving its legibility and cultural meaning. internally, balancing historical calligraphy aesthetics with modern brand storytelling required careful study of traditional ink techniques and symbolism. externally, constraints included digital reproduction limits, printing technology, and material properties, which demanded iterative testing and refinement to ensure both artistic integrity and practical manufacturability.
Anadi
Type of research: design-driven cultural study. Objective: explore how Chinese characters can convey ecological and brand values. methodology: visual analysis and typographic experimentation. Data collection/tools: ink painting simulations, digital sketching, surveys on perception. participants: 30 viewers and design experts. results: "sen" effectively communicates nature and purity. Insights: integrating traditional aesthetics enhances brand storytelling and fosters eco-conscious design, impacting society and sustainable product perception.
Aseḥbiber
Inspired by the ecological symbolism of the Chinese character "sen" (forest), this project explores how typography embodies environmental philosophy. Drawing from traditional chinese ink landscape aesthetics and harmony between humanity and nature, the design transforms a character into a spatial visual narrative. The research integrates calligraphic structure, ink composition, and brand communication strategies to express the natural purity and sustainable values of "forest spring."
Tanzagt n Usenfar
The project started in August 2025 in Hangzhou and finished in October 2025 in Hangzhou
Tanila n Umahil
The bottle is easy to use: simply twist off the cap to pour or drink. Its ergonomic shape fits comfortably in hand, while the transparent body allows users to see the water level. the label’s visual design guides the eye to the brand and emphasizes purity. Lightweight and durable, the bottle is easy to carry, stack, and store, ensuring convenience and a premium experience while maintaining a natural, eco-conscious impression.
Igmamen n Terbaɛt
Designer: sheng jin
Designer: chao yang
Designer: wenqi wu
Designer: yangyang lou
Designer: jianzhong yang
3d model: darong lin
Director: hui zeng

Yettwaxellṣen

Snirem Seld Designers.org

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Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

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