Trinity Ko Te Peita Matihiko nā Vanja Vizner

Ko te hoahoa Trinity Ko Te Peita Matihiko nā Vanja Vizner he kaitoa whakahirahira o te 2021 A' Design Award Parahi i te Wāhanga Whakataetae Hoahoa Whakairoiro, Whakaahua Ringa me te Whakawhitiwhiti Ataata.

ParahiWhakairoiro· 2021

Trinity Ko Te Peita Matihiko

nā Vanja Vizner

Kiritaki: Art of core

Kaitoa o te A' Design Award Parahi i te Wāhanga Whakairoiro

16,207

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #112954

Torohia te Pae Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Trinity Ko Te Peita Matihiko

Ko te Tokotoru e arotahi ana ki te tangata: tona huringa koiora, kare, hinengaro. Na roto i ana tukanga hinengaro me te hinengaro, ka tirotirohia e ia nga hononga ki te hapori, nga matua, me te taiao. Te whakaae ki nga ahuatanga kino me te pai o te hapori, e hanga ana i te turanga ki te whanake ki te tirohanga whanui. Ka karanga te kaitoi kia aro ki te whakakotahitanga o te katoa, kaua ki te wehe me te aro ki te maarama ki te kore e aro.

Te Whakamihi

Mō te A' Design Award Parahi

Ko Trinity Ko Te Peita Matihiko te toa o te A' Design Award Parahi, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke e tohua ana mā te auaha, te mahi mōhio me te whakaaro hōhonu. Ko ngā toa Parahi he mahi pukenga e rite ana, he auaha mīharo, e whakatūturu ana i te wheako nui, te whakaaro me te mōhio-ā-ringa o ā rātou kaihoahoa. E tūmanakohia ana ko Trinity Ko Te Peita Matihiko he taonga whakanuia, whakamīharotia, aroha nui, he ngaio, he auaha hoki. Ko tēnei hoahoa i toa i te Parahi e whakauru ana i ngā tikanga pai rawa i te toi, te pūtaiao, te hoahoa me te hangarau, ā, he tino mīharo ki ngā taipitopito. Ka whakatutuki a Trinity Ko Te Peita Matihiko i ngā hiahia, ka pā ki ngā hiahia, ka whakaoho i ngā kare-ā-roto, ā, ka kume i te pākiki.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: The main focus of the artwork is on the growth of mental, and emotional body by passing various stages of human development. It addresses the challenges in one's relation to gender, social, parental, political preconditioning including self-conditioning. Its main idea is to show the path of constant learning development to improve one's cognition, heart and mind connection to its environment in order to overcome stagnation created by setting absolute values of opinions, which creates repetition over time.
Inenga & Pēketanga: The size of digital art of is 720 mm x 720 mm/72 dpi.
Tūtohu: trinity, visionary art, digital art, humanity, artofcore, vanja vizner
Hangarau Whakanao: Base sketch was a pencil drawing that was further developed in "Photoshop" by using "Wacom" graphics tablet. Finished artwork was done by use of regular paintbrushes, filters, layer styles and effects with stylized changes. Process of making was experimental progressive painting without a clear motive in mind.
Wero Hoahoa: The challenge was to improvise while keeping the technical part and the structure of the image meaningful without knowing the outcome. This kind of experimentation was mentally intensive and time-consuming. The artist overcame the obstacle by switching between abstraction and rational.
Rangahau: Human society has set values in the past to make clear distinction of man and woman roles in society. These roles were initially set by practicality through order. The artist tries to convey the message that, whilst this approach may have been practical in the past, it may cause fragmentation in the mind of humans. Humans suppressed the feminine or masculine part of their beings and restrained themselves from reaching full potential of their mind.
Whakaaweawe: Inspiration came from the artists exploration of unconditional Love and nonattachment towards living beings and their environment. Accepting the world as one continuous process with all its faults and imperfections.
Roanga o te Kaupapa: The project started from May 2015 and finished in August 2015. The design is done in Zagreb, and was exhibited in Psychedelic Dream Temple Gallery August 2017.
Rerenga Mahi: The artwork is arranged in a linear way from bottom to top. The information presented to the public has three points: 1. Realization of the negative aspects of society 2. Acknowledgement of their own ancestral legacy 3. Growth and its own responsibility in the universe by expanding to the unknown.
Pātene: Copyrights belong to Vanja Vizner, 2015.
Whakamana Whakaahua: Image #1: Illustrator Vanja Vizner, Trinity, 2015.