Yusuke Kamiyama nisqap Cadence of the Spiral Primary Function: Kuyuq Churana diseñon

Yusuke Kamiyama nisqap Cadence of the Spiral Primary Function: Kuyuq Churana diseñonqa Sumak Ruray Kamay Atipanakuy T'aqapi 2026 A' Design Award Qullqi Premiu nisqap ancha chaniyuq atipaqninmi.

QullqiSumak Ruray· 2026

Cadence of the Spiral Primary Function: Kuyuq Churana

Yusuke Kamiyama rurasqa

Mañakuq: Spline Design Hub Inc.

Sumak Ruray T'aqapi A' Design Award Qullqi Premiu Atipaq

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Llinphikuna

Diseñomanta

Cadence of the Spiral Primary Function: Kuyuq Churana nisqamanta

Book Text: Espiralpa Kallpan nisqaqa pachata estiranakuq, tinkiq, kawsaqhina maskan. Huk acero spring nisqa cinta kimsa chunka mecánico makikunawan wiñaq wiñaq formaman tukun. Makikuna llampu, fase-tikraq tususqakunapi kuyunku. Espiral samaspa, q'iwispa, kikinta wakmanta churakuptin, manam iskay kikin pacha kanchu. Kay llamk'ayqa huk mecánico relojpa mainspring nisqanmanta hamun. Q'iwisqa metalta huñusqa kallpa imayna kasqantawan pacha puriynin imayna kasqantawan musuqmanta riqsichin. Kuyuyqa manam kutiykachakunchu. Aswanpas, tikrayqa kamachisqa hukniraqkunapi rikuchikun. Pachaqa manam tupusqachu, aswanpas musyasqa.

Riqsichiy

A' Design Award Qullqi Premiu nisqamanta

Cadence of the Spiral Primary Function: Kuyuq Churana A' Design Award Qullqi Premiu mishak kan, ancha jatun yupaychay, kayta hanak, sumak shinallatak mancharina diseñukunaman kun. Qullqi mishak kashkakunaka ancha achikyaska shinallatak ancha mushuk ruraykunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Cadence of the Spiral Primary Function: Kuyuq Churana ruray yachak, ñawpak shinallatak mushuk yuyayta charik sumak rurashka kanata munanku. Kay Qullqi Premiu japishka diseñuka ancha riksishka shinallatak yupaychashka yuyay kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Cadence of the Spiral Primary Function: Kuyuq Churana achka runakunapak munashka rurashka kan, munayta kallarichin, alli yuyaykunata kun shinallatak mancharichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: A long stainless-steel spiral is dynamically deformed by independently actuated arms, generating continuous reorganization through tension and release. Unlike static sculpture, the form never settles; it is constantly restructured into shifting orders. The spiral functions as a physical model of time—elastic, unstable, and relational. Controlled irregularity replaces mechanical uniformity, allowing viewers to perceive time not as measurement, but as a living and evolving order.
Tupukuna & P'istuy: Material: Blast-finished stainless spring steel (0.3 mm thickness, 80 mm width)
Spiral pitch: 100 mm
Number of turns: 10
Control: PC-based control system
Installation footprint: Approx. 2000 mm × 2000 mm × 2000 mm
Power: AC 100–240 V
Etiquetakuna: Kinetic art, Spiral structure, Time perception, Mechanical rhythm, Parametric design, Stainless steel sculpture, Dynamic installation, Temporal form
Ruway Tecnología: A custom-fabricated stainless-steel spiral plate forms the core structure, paired with a bespoke linear actuation system developed for this work. Most mechanical components—including joints, mounts, and structural interfaces—were custom-designed to enable precise distributed deformation. Motion is coordinated through a PC-based control architecture enabling synchronized, phase-shifted oscillations. Parametric modeling and simulation optimized stress distribution and torsional balance.
Diseño Sasachakuy: The primary challenge was balancing structural stability with expressive flexibility. The spiral required sufficient rigidity to maintain form, yet enough elasticity to allow dynamic deformation. Managing distributed mechanical stress while achieving organic motion demanded extensive iteration. Technological constraints of synchronized actuation and material fatigue also required innovative solutions to preserve both safety and poetic integrity.
T'aqwiy: This practice-based design research explores time as a spatial and kinetic phenomenon. Through iterative prototyping combining mechanical engineering and artistic experimentation, parametric modeling, structural simulation, and motion analysis were employed. Audience observation during exhibitions informed the study. The research identified perceptual shifts generated by micro-irregular motion, demonstrating how controlled instability enhances emotional engagement and contributes to contemporary kinetic art and experiential design.
Kallpachay: Inspired by the mainspring of a mechanical watch, Cadence of the Spiral reconsiders the spiral beyond its functional role. The tightly wound strip of metal appeared as a vessel containing latent energy and rhythm of time itself. When gently lifted, it responded with subtle motion, as if about to begin a heartbeat. The spiral thus emerged not as an object, but as a physical manifestation of invisible time—an embodiment of tension and release within temporal experience.
Llamk'ay Pacha: The project began in Tokyo in March 2025 and was completed in November 2025. Prototyping and structural validation were conducted in Tokyo. Developed in collaboration with Seiko Watch Corporation to explore the cultural and mechanical heritage of horology, the work was exhibited in Japan and is currently being prepared for international presentation.
Purichiy Puriy: The spiral slowly shifts between tension and release. As the supporting arms extend and retract, the form breathes, twists, and reorganizes itself. There is no fixed choreography; instead, subtle variations create moments of alignment and misalignment. Viewers experience a continuous transformation—sometimes synchronized, sometimes slightly off—evoking the sensation of time that never fully repeats yet always returns.
Patentekuna: Copyrights belong to Spline Design Hub Inc., 2025.
Huñu Runakuna: Yusuke Kamiyama
Shin Sakamoto
Kaku Murayama
Fumiya Nakano
Siq'i Hayñikuna: IMAGE CREDITS: Daisuke Ohki